Legal Tender

Lisa Scottoline, Author
Lisa Scottoline, Author HarperCollins Publishers $23 (464p) ISBN 978-0-06-017658-7
Reviewed on: 10/02/1996
Release date: 10/01/1996
Mass Market Paperbound - 978-0-06-109631-0
Mass Market Paperbound - 464 pages - 978-0-06-109412-5
Analog Audio Cassette - 978-0-694-51737-4
Paperback - 295 pages - 978-1-56895-413-4
Downloadable Audio - 978-0-06-088654-7
Analog Audio Cassette - 978-0-694-52328-3
Peanut Press/Palm Reader - 464 pages - 978-0-06-052490-6
Paperback - 304 pages - 978-0-06-240013-0
Paperback - 304 pages - 978-0-00-733008-9
Ebook - 464 pages - 978-0-06-176000-6
Open Ebook - 464 pages - 978-0-06-052492-0
Ebook - 464 pages - 978-0-06-112306-1
Hardcover - 256 pages - 978-0-00-649851-3
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The heroine of Scottoline's rambunctious fourth legal thriller (after Running from the Law) may change the way readers think about lawyers. Benedetta (""Bennie"") Rosato, who narrates, is a ravishing six-foot blonde, one of two partners in a thriving law firm. In quick order, the foundations of her world come crashing down. Her partner and ex-lover, Mark, turns up murdered shortly after he tells Bennie that he is planning to dissolve the partnership. It's not surprising that she then becomes the cops' prime suspect. When the murder weapon is found in her apartment, Bennie goes underground. Then a drug company CEO is killed, and she is falsely accused of that death, too. A hilarious caper ensues as Bennie disguises herself as, variously, a hooker, a bag lady and a lawyer ""from the New York office"" of a staid old white-shoe firm. In the midst of all her woes, she must also deal with a new boyfriend and a mother who's facing electroshock therapy. The Perry Mason-like ending is a bit strained but doesn't spoil the fun. Bennie, a delightful heroine, deserves an encore; and, again, Scottoline merits a big round of applause. $200,000 combined ad/promo for Legal Tender and the simultaneous HarperPaperbacks edition of Running from the Law; simultaneous HarperAudio; author tour; U.K. and translation rights: Columbia Literary Agency; dramatic rights: Linda Hayes. (Nov.)
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