Rich-kid glamour mixes uneasily with tragedy in this well-intentioned but faintly smug second novel by Moynahan (Parting Is All We Know of Heaven). Alice McGuire's picture-perfect world crumbles after the bones of her missing best friend, Matthew Swan, are discovered in a shallow grave in Mexico. Devastated, the Millstone Country Day senior struggles with her romantic dreams of what might have been and the impact of her devastating loss—"I could feel Matt's dying in every inch of me, skimming across the surface of my skin, soaking into my pores when I stood under the shower.... Grief is fifty times harder than AP Calculus." For a while, the self-absorbed Alice has trouble empathizing with others mourning the well-liked student, including the frankly lesbian Ms. Hardwood, a perceptive teacher; Catherine, Matt's recovering alcoholic mom, who once had a fling with Alice's dad; Matt's eccentric sisters (one is perpetually stoned, not unlike Hallie, the heroin addict Matt went to Mexico with); Julia, Alice's overachieving Martha Stewart–type mother; and the lonely Sigrid, Alice's talented friend who composes an opera inspired by the long-ago murder of her beloved babysitter. Alice's salvation is her senior project participation in Literacy Behind Bars, a prison creative writing program, where Frank, the man who killed Sigrid's babysitter, is one of her "students." Frank and the other inmates adore Alice, and they spill their guts in perceptive prose, teaching Alice, Sigrid and their Millstone classmates about the redemptive power of forgiveness. Moynahan's smooth, playful prose is engaging, but her characters' emotional turmoil has a glib, rehearsed quality. As Alice puts it early on, "We were spoiled rotten and didn't have a clue." Despite all that follows, the feel-good ending underscores the reader's sense that little has changed. 4-city author tour. (Sept.)
