cover image Sibelius

Sibelius

Andrew Barnett, . . Yale Univ., $40 (445pp) ISBN 978-0-300-11159-0

In this illuminating survey of Jean Sibelius (1865–1957), Barnett, founder of the U.K. Sibelius Society, attempts “to place Sibelius’s music in context by discussing all of his surviving works.” The book benefits from the ambitious project of the Swedish record company BIS to record everything in its Complete Sibelius Edition, an undertaking in which Barnett has been closely involved since the mid-1980s. He traces the life of the composer from his early music lessons (violin, piano, cello) as a youth in Hameenlinna, Finland, and his first serious attempts at composition during the 1880s to the recognition of his talent at the Helsinki Music Institute (now the Sibelius Academy) and further studies in Berlin and Vienna, followed by the 1892 success of his first major orchestral work, his prolific creations over the following decades and his dwindling output after 1927 when he wrote in his diary, “Abused, lonely, all my real friends dead. Just now my prestige here is non-existent. Impossible to work.” In 1935, however, his status “as an international icon was secure.” Incorporated throughout is Barnett’s in-depth analysis of Sibelius’s compositions, a critique so finely tuned that many readers will want to listen as they read. 16 b&w illus. unseen by PW . (Dec.)