cover image THE BRIDE OF CATASTROPHE

THE BRIDE OF CATASTROPHE

Heidi Jon Schmidt, Jon Heidi Schimdt, . . Picador, $26 (400pp) ISBN 978-0-312-28177-9

Slipping from the clutches of her reclusive, eccentric family, Beatrice Wolfe makes her way to elite Sweetriver College and then on to bleak late 1970s Hartford. The bright but overwrought and self-important heroine of Schmidt's erratic debut novel is seeking a new identity, but she is hampered in her search by her dysfunctional family, whom she has puffed up to near mythical proportions in her mind. This is particularly true of her mother, Claire, an unhappy woman who has given her "raindropsized world... such complex drama that it became a virtual sea." Somewhat inaccurately describing her parents as "victims of love," Beatrice determines to become an expert in love, embarking on a dogged relationship hunt. Her misguided quest leads her into a deadening relationship with a woman, an apparent polar opposite of Claire. Beatrice's foibles, rendered in the first person, are handled with a combination of sarcasm and tenderness by Schmidt, who captures very well the intense, painful melodramas of youth and the often "foggy tide basin of female feeling." The author of two short story collections (Darling?; The Rose Thieves), Schmidt has a keen eye for detail and a sharp sense of humor. "I did not ask myself whether a love excited by spite was really the kind of love I was looking for," Beatrice tells the reader. "I was in no position for such a proud question." But, like Beatrice herself, Schmidt is prone to melodrama, overwriting already emotional scenes and throwing around literary allusions to everyone from Euripides to John Updike in an effort to broaden and deepen her story's import. The result is a first novel that careens from highstrung editorializing to astute observation, never quite managing to build a complete, believable world for its maddening yet arresting characters. 8-city author tour.(Oct.)