cover image OUR KIND: A Novel in Stories

OUR KIND: A Novel in Stories

Kate Walbert, . . Scribner, $23 (195pp) ISBN 978-0-7432-4559-3

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OUR KIND: A Novel in Stories Kate Walbert . Scribner , $23 (208p) ISBN 0-7432-4559-8

Mannered yet curiously moving, this novel in stories by Walbert (The Gardens of Kyoto ) tells the collective tale of a group of wealthy suburban women who came of age in the 1950s and are now facing life long after husbands and children have flown the coop ("We were married in 1953. Divorced in 1976. Our grown daughters pity us; our grown sons forget us"). Free of old inhibitions and with nothing left to lose ("they think us heartless and we are, somewhat"), they embark on odd crusades and projects when they aren't shopping or gossiping around the pool. In the brilliant "Intervention," they decide to save their favorite realtor, Him, who represents "our faithless husband, our poor father. He is our bad son, our schemer, our rogue.... Still, we love Him," then realize they need help themselves. Love recalled (and often ridiculed) is a recurring subject. In "Esther's Walter," Esther, the group's "artistic one," invites the group to a sinister party on the anniversary of her husband's death; in "Bambi Breaks for Freedom," the wheelchair-bound Bambi seeks her friends' support as she sets herself free from an old heartbreak. Walbert offers other sharp snapshots of the remaining members of the group, among them earnest, forgetful Judy; Canoe, the bouncy, ever-recovering alcoholic; Barbara, whose depressed daughter kills herself; "frigid" Gay who married a gay man; Suzie, the country club matron who fails to get her female lover admitted to the club; and lonely Louise. In an era when women went to college to study "the three Gs: Grooming, Grammar, and Grace," Walbert's characters are caught like insects in amber as they make late-in-life discoveries no school could ever teach. Brittle, funny and poignant, this is a prickly treat. (Apr.)

Forecast: Ladies who lunch (and who don't mind self-scrutiny) will enjoy this novel; so (perhaps less obviously) will fans of Jeffrey Eugenides's Virgin Suicides, which is also narrated in a first-person plural voice and paints a kindred picture of suburbia.