Rajaniemi melds a caper novel, New Wave aesthetics, and theoretical physics into a stellar debut. Broken out of a quantum prison in which he'd been forced to play endless games of prisoner's dilemma, often against himself, master thief Jean le Flambeur is forced to take a job working for the mysterious and beautiful Mieli. They travel to Oubliette, a moving city on Mars where time and memory are quantifiable and transferrable goods, and privacy is paramount. Their nemesis, the detective Isidore, reports to the enigmatic tzaddiks, a group of self-appointed law enforcers. Rajaniemi deftly introduces nifty concepts: a society of quantum MMO players, public servants who have used their allotment of Time and must labor to earn more. The plot itself is straightforward, allowing the mix of multiple narrative styles and viewpoints, elegant world building, and gonzo futurism to astonish without overwhelming. The ending sets up a sequel, but the story still stands nicely on its own. (May)
The Quantum Thief
