cover image Teotihuacan: An Experiment in Living

Teotihuacan: An Experiment in Living

Esther Pasztory. University of Oklahoma Press, $49.95 (304pp) ISBN 978-0-8061-2847-4

The Pyramids of the Sun and the Moon at Teotihuacan may be two of Mexico City's top tourist sites, but they are also two of Mexico's greatest mysteries. Little is known about the people who built these massive structures and who lived in what must have been an immense city between about 1 and 750 AD., pre-dating the Aztec settlement of the Valley of Mexico by as much as 1000 years. They left behind impressive buildings and expressive murals but few clues to help historians and archeologists understand what their culture had been about and why their city was abandoned. We do know that the Teotihuacan was built in a sophisticated grid pattern where large extended families lived in apartment complexes and that 100,000 to 200,000 people called it home. Columbia University history professor Pasztory believes that art is a reflection of the society it creates, and interprets the lack of art dedicated to battles and triumphant rulers as a sign of the desire to create an integrated community. ""Unlike the arts in most of Mesoamerica that glorified violence and dissension, art at Teotihuacan emphasized harmonious coexistence.... Teotihuacan presented itself as a timeless place, as if it existed from time immemorial and would exist into eternity, outside of history and historical contingency,"" she writes. Pasztory compares her theories with those of other archeologists and art historians and the variety of readings on Teotihuacan's past reminds us that much of what is believed about ancient sites is educated guesswork. Even in this complicated and technical work, the guesswork element of Teotihuacan is emphasized by the heavy reliance of words in quotations, giving the impression that too many of the ideas the book supports are based on feelings rather than solid scholarship. (Apr.)