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Green Thumbs Up—and Down

Though retail outlets are proliferating, the outlook for gardening books is less than rosy

by Suzanne Mantell -- Publishers Weekly, 3/14/2005

Also in this feature:
A web-exclusive list of 2005 gardening titles

Ask folks in the gardening book business where their customers are buying books and the answers run the gamut. Maria Arambula, backlist buyer at Denver's Tattered Cover, says that Home Depot is their biggest competitor. Denise McGann, editor-in-chief of Bookspan's Homestyle Books (which include gardening), says it's not just the home center stores; it's also Amazon and the other online discounters. And for Aqua-Mart Inc., a mail-order water-gardening supply store in Orlando, Fla., competition is all over. "Everyone and his brother is selling water-gardening books," says company v-p Jeff Gimbel.

As in all areas of bookselling, sales venues have proliferated, with box stores and online sites the big growth areas, often to the detriment of more traditional outlets. Unfortunately, sales channel information is proprietary and closely guarded, and neither Home Depot, California's Orchard Supply Hardware chain, Costco, Amazon, Barnes & Noble, Borders or Timber Press, to name just a few companies, would talk about sales, unit movement or volume, so the following report derives necessarily from hearsay, anecdotal information and observations on recent changes from players in the field.

The big picture is of a fertile, flourishing market, but momentarily lying fallow—at the publishing end, at any rate. The vast majority of Americans profess an interest in gardening, according to a survey conducted by the Garden Writers Association, but book sales are flat, with shelf space shrinking at the retail level. Publishers have pulled back, for a variety of reasons, to the dismay of avid buyers in such dedicated gardening bookstores as Bell's Books in Palo Alto, Calif., and Powell's Cooks and Gardeners in Portland, Ore., where buyers are lukewarm about the titles they're seeing.

"There's a real dearth of good books except for those from Timber Press," says Susan Crittenden, Powell's manager and frontlist buyer. "There's nothing out there. It's a lessening, a sharper drop than last season. It's odd. There are very few practical gardening books this spring. There are some historical and coffee-table books for gift giving, but with one or two exceptions publishers are finding it difficult to promote gardening books. At this point, we'd take bad gardening books."

"We are not flooded with important things this year," says Barbara Worl at Bell's Books. (Worl developed the store's garden section 55 years ago and has been tending it since.)

No one seems able to pinpoint the reasons for the sluggish market. While some players mentioned developments that could fuel book sales—newly awakened interest in and respect for native plants, soil studies that are yielding useful information—these aren't sufficient to dispel the blah landscape. One interesting explanation for poor bookstore performance is that gardeners have long used catalogues for mail-ordering seeds and bulbs and thus were early adopters of online buying.

At Aqua-Mart, termed by Gimbel "the Home Depot for do-it-yourself water-gardening supplies," only those titles that pull their weight are left in the paper catalogue—30 this year, down from 40 last year. (More appear on the company's Web site.) "It's very expensive to print and mail a catalogue," Gimbel says, explaining that it goes out first class mail because, he says, "the first catalogue to arrive gets the orders." However, books sales are a small part of Aqua-Mart's business. "With the Web people can get the same information [that's in books] without paying for it," says Gimbel.

Where Have All the Gardeners Gone?

It's clear to everyone that garden enthusiasts abound. The challenge, says Clarkson Potter's publisher, Lauren Shakely, is to find them: "I am worried that they're not in bookstores anymore." Add to these concerns the plentitude of information readily available on the sites of many nurseries and big box stores—for free—and the picture is not a rosy one for traditional book retailers.

And then there are the home centers. With the trend to treat gardens as extensions of the house, home centers offer a one-stop advantage to shoppers. According to Eamonn Murtagh, who buys gardening and home maintenance books for the 82 branches of the San Jose, Calif.–based OSH chain, the titles they carry have a prime value as sales tools. While the stores don't stock an extensive selection—the focus is on how-to paperbacks from Sunset, Ortho and Better Homes and Gardens about landscaping, deck care and spa maintenance—"the books inform customers and help them understand what products on the shelves they need." Top questions pertain to landscaping and the kinds of plants that work in certain geographical areas. "People want to know what works best in their environment," Murtagh says. The top-selling title across the chain is Sunset's Western Garden Book, the Bible for avid gardeners, along with The Old Farmer's Almanac.

At Home Depot, books also empower and inspire customers, as do resources such as free in-store clinics, and project information and home improvement advice on the store's Web site, says a company spokesperson. Under its own imprint—Home Depot Publishing 1-2-3 Books, tailored via regional editions to different growing zones (Landscaping 1-2-3is available for colder climates, warmer climates and hotter climates)—the store is able to provide one-stop shopping for its customers in its more than 1,500 outlets. "The Home Depot strives to have the right product selection in any given store along with the right book selection," the company reports. "Titles and space will vary from region to region."

The big-store model contrasts sharply with dedicated gardening venues, where book selection is more specialized, information more advanced and enthusiasm more evident. As at OSH, the top gardening seller at the family-owned Molbak's near Seattle is the Western Garden Book, but Molbak's carries anywhere from 100 to 200 titles in its gift shop, and book sales from store visitors is a money-generating part of the business, according to marketing director Peggy Campbell. "In early January we redesigned the store and made the books area more inviting, with tables and chairs so people could pore over titles," Campbell says. "Sales have gone up." They are constantly trimming titles from their list and adding others, Campbell says. "The focus is to make certain we have titles that sell well. Within the last five years, we went back to mainstream books and that was a mistake. Local garden writers—that's what works for us."

Among Molbak's top-selling books are Sunset's Western Garden Book; Roger Holmes and Don Marshall's Home Landscaping: Northwest Region (Creative Homeowner Press); The Maritime Northwest Garden Guide: Planning Calendar for Year-Round Organic Gardening (Seattle Tilth Association); and Your First Orchids and How to Grow Them (Oregon Orchid Society). "We decided to get rid of more broad-based titles," Campbell says. "They can be inspiring, but people want specific information on how to accomplish their garden."

At the bookstore of the Huntington Library, Art Collections and Botanical Gardens in Pasadena, Calif., bookstore and visitor services manager Janet Crockett, stocks 23 orchid books and more than 20 bonsai books among nearly 500 gardening titles. Sales, says Crockett, are heavily influenced by scheduled events and what's on display in the gardens. "When roses are blooming, rose books sell. When there's a water-garden lecture, books on water gardens sell." Not surprisingly, bestselling titles include books about the gardens, such as Walter Houk's The Botanical Gardens at the Huntington (Abrams); and The Huntington Botanical Gardens 1905–1949 (University of California Press) by William Hertrich, who was head gardener at the time the grounds were designed. Also popular are books by the gardens' curators (Clair Martin's 100 Old Roses for the American Garden, from Workman; and Desert Gardens by Gary Lyons, from Rizzoli) as well as books that reflect local interest.

"Customers are looking for techniques," Crockett says. "They want to know how to make this happen at their house." Coffee-table books are not popular among her customers. "They get shopworn, and they have to be perfect for people to buy them."

Distribution and the Net

Joanne Klappauf is founder and president of the Asheville, N.C.-based gardening distributor Common Ground, which caters to specialty retailers such as arboretums, garden centers, botanical gardens, historical sites, Audubon Society stores, natural history stores, Internet dealers, several bookstore chains and catalogue companies. With an upscale book list—mostly hardcovers, Klappauf explains, because they hold up better to the moisture conditions present in many of her clients' environments—her toughest competition comes from publishers themselves, who sell directly to her customers at very good terms. "They offer discounts that we can't," she says, lamenting the truism that there's no protected territory in the book industry.

A growth area, says Klappauf, is the home accessory market, which is particularly receptive to books about the backyard and attracting birds to the garden. "Crossover is wonderful when it happens," Klappauf notes, adding that furniture stores, surprisingly, are great venues. "The bread-and-butter books are being taken away from everybody by the big box stores and the online discounters. Wholesalers as well as retailers are drying up." But, she notes, nurseries and garden centers have not yet been affected by the kind of consolidation that has transformed other arenas into just a few leading players: it's still a big and diverse group.

Certainly the browsing public benefits from the diversity available to them, from the big chains as well as family-owned stores like Molbak's or Hicks Nurseries offering plenty of online "how-to" help. ("Growing Figs on Long Island," for example, is available via an Adobe Acrobat Reader download from Hicks.) But this kind of tailored information, and the ability to provide it, feeds into another important development: an emphasis on the regional.

Location, Location, Location

"We're getting further and further away from the idea that you can grow anything anywhere," says Timber press executive editor Tom Fischer. "Local plants and exotics that are harmonious with the environment are what people are pursuing." Timber's Sharp Gardening by Christopher Holliday (Mar.) looks at how spear-like leaves can add drama to a garden. Judy Glattstein's Bulbs for Garden Habitats (May) is about matching plants to conditions you can provide for it. "That we can do a whole book about spiky plants says something about our buyers," says Fischer.

The top-selling title at Bell's Books, reports Worl, is Plants and Landscapes for Summer-dry Climates of the San Francisco Bay Region, published last year by the East Bay Municipal Water District. Tom Whitson's Weeds of the West (Western Society of Weed Science) sells briskly at Powell's online. At Tattered Cover, Xeriscape Colorado by Connie Lockhart Ellefson and David Winger (Westcliffe Publishers) is one of the all-time bestsellers, along with John Cretti's Rocky Mountain Gardener's Guide (Cool Springs Press). "Local titles get excellent coverage in the local press, and people come in and ask for them," says Arambula.

Store buyers often first hear of new titles of local interest from local garden writers. "Networking and word of mouth are important," says Campbell at Molbak's. "Local publishers sometimes fail to see the value of sending an author to public events. Then sales languish. If publishers get the author out, sales follow suit. If a book is launched in synch with the Northwest Flower and Garden Show in February, with 80,000 people in attendance, the author can speak and get 500 or 600 people to attend." Campbell says that 10 years ago, there were no books available for Washington State's particular weather of dry summers, wet winters and low light conditions. "There was lots of translation that the gardening public had to do. But now there are terrific publishers who are meeting the area's needs."

B&N buyer Sal Cordaro says his customers are also looking for books tailored specifically to their regions. "Our gardening customer has become more knowledgeable and discriminating as regards to what is often a passion," he says. "We offer a large assortment of titles that are designed for the specific zone in which they live." General gardening titles are a declining part of the business, he says, but they often have a long life in the store as backlist. One spring title Cordaro says the stores will be promoting is Gayla Trail's You Grow Girl: The Groundbreaking Guide to Gardening (Simon & Schuster, Mar.), which is aimed at 20-somethings who want to learn to garden, but may have access to as little space as a fire escape.

Books for the younger generations are of special interest to Robert LaGasse, executive editor of the Virginia-based Garden Writers Association (2,000 members). He describes the typical garden book buyer as "an older person" with money to spend on books, but he's intent on bringing kids into the picture. "They need to be educated on the art of gardening and the benefits of slowing down and smelling the roses," he says. "It's a great genre, but the penalty is that the books are not cheap for the publisher to produce or the retailer to sell." LaGasse worries that publishers, increasingly concerned about the bottom line, have cut back on gardening titles.

Not One Big Book

Old or young, the question arises: How many gardening books does the average gardener need? Apparently not very many. "People are still very interested, but there's a limit," says McGann of Homestyle Books. In light of this, the club has turned its focus to "hardscaping," with books on subjects such as fences, gates and gazebos. "Club members are house proud and treat their gardens like another room. Hardscaping is what they are after. They don't need another rose book," she says.

Publishers, it seems, are thinking the same. For the past three or four years the focus at Taunton Press has been away from gardening per se in favor of landscaping, says publisher Jim Childs. Titles such as Front Yard Idea Book and Deck and Patio Idea Book provide less how-to information and, hopefully, more inspiration. "We have found the landscape focus to be more successful," Childs says. The size and reach of home improvement stores like Home Depot, Lowe's and Menard's, he adds, help support the sales of Taunton's books, which "appeal to people who want to dress up the exterior of their houses."

Clarkson Potter, too, has downsized its garden line, with only two gardening "stars" left on its plate: Ken Druse and P. Allen Smith. (Smith's latest, P. Allen Smith's Container Gardens: 60 Container Recipes to Accent Your Garden, has just hit the stores and was ranked at 381 on Amazon the same week Sunset's Western Garden Bookwas ranked 2,165.) "We're always looking for a breakout author, like the Victory Garden author so long ago," says Shakely, "but it's harder to break out a garden title than it is a cookbook." She says Potter expects to do well with Smith's latest, "but not as well as a cookbook could do with similar effort." The growth in gardening, she says, is in hardscaping.

According to Shakely, the challenge for garden book publishers is to make it clear that gardening "is not about heavy labor, that it isn't a forbidding investment of time and money, but an aesthetic pursuit." And yes, she says, the cost per book does factor in to decisions about what to publish. "There is a threshold below which it would be impractical to publish a book."

Despite various problems and pitfalls, Klappauf at Common Ground remains enthusiastic She glories in the fact that there isn't just one book that does it all: "And a good thing, too. Gardeners tend to be collectors and have many books. That's the whole secret to specialty sales. There is not just one big hitter, not even a handful, but a whole big field, which is very healthy and the reason we're still here and thriving. The garden market has grown and is steadily growing."

For a listing of forthcoming gardening titles, click here.

 

New Seedlings

No matter how crowded the gardening category or how flat sales may be, there are always a few brave publishers ready to undertake new ventures.

HarperResource is angling for consumers with low prices. Titles in the HarperResource Practical Gardener Series, which launches this month with Kitchen Gardenby Lucy Peel, Architectural Plants by Christine Shaw and Flowers by Alan Toogood, cost a mere $12.95 each. Series editor Matthew Benjamin says looks count, too: "These books are clean, crisp and approachable."

Ordered by the Lowe's chain, the initial three titles, as well as another three due in June, will enjoy first printings of about 15,000 copies each. Another three titles will follow in spring 2006.

Last fall, F&W launched its Horticulture Books imprint, in conjunction with Horticulturemagazine. Now the freshly created imprint sprouts its own seedlings—the first two books in the Horticulture Gardener's Guides series. Shrubs (Mar.) by Andrew McIndoe and Plants for Small Spaces (Apr.) by Clive Lane will have first printings of 25,000 copies apiece and will be displayed at the Borders and Barnes & Noble chains. The series looks to add four titles annually.

As publishing director Sara Domville points out, "Horticulture is the number one gardening magazine in the U.S." She notes that, not surprisingly, its reputation has been responsible for healthy sales of all the Horticulture Books titles. —Natalie Danford


Dishing the Dirt

Ed Koch, mayor of New York City from 1978 to 1989, was famous for hailing passersby on the street and asking, "How'm I doing?" PW tried the same tactic with players in the gardening industry about gardening books. The answers? Eh, not so great.

House & Garden editor-in-chief Dominique Browning, whose Paths of Desire (Scribner) is just out in paperback, is plenty disgruntled. "Bookstores were overloaded with garden books 10 years ago, and there was a lot of mediocre stuff published. Gardeners weren't pleased with what was coming out. As sales plummeted, publishers, instead of just weeding, pulled up stakes on the production of garden books. There isn't a lot that's terribly exciting in stores right now: too much how-to without the seductive writing that makes you want to get your hands in the dirt; poor quality of photography and layout; repetition of the same tired subjects. The gardening industry at large is in robust shape. People have the time and the urge and the resources to get out into those beds. Book publishers could be serving—and seducing—with greater flair. The garden section of most bookstores is withering on the vine."

Magazine publishers are hurting, too. According to Fine Gardening editor-in-chief Todd Meier, "Every gardening magazine is experiencing a decline in newsstand sales. Gardeners are responding to very focused content at a reasonable price." But the regional information gardeners crave is difficult to cover in a national magazine, let alone books, Meier says: "Regional information is something you can do on the Web more easily than you can in print."

Kate Karam, garden editor at Cottage Living, sees a specific vein that's not being mined. She says, "There was an expensive study done about how people feel about their gardens, and they asked a group of average gardeners to bring in 10 magazine clippings that illustrated their feelings. Every person brought in a Tylenol ad or some other photograph of someone with their head in their hands. There's an enormous fear factor about gardening; people fear they're going to spend too much money and have it die. There are high-end books, but nothing that says, 'If you have $2,000 for a summer, here's what to do every weekend.' "

Cost appears to be less of a consideration among readers of Garden Design, where editor-in-chief Bill Marken says, "We hear from readers with questions like, 'How do I get my hands on that French sheep trough?' There's also really strong interest in sustainability and eco-friendly gardening, not traditional organic gardening, but bringing in the principles of green design."

Marken also points to outdoor rooms as a booming trend. Elvin McDonald, deputy editor, garden and outdoor living at Better Homes and Gardens, agrees: "We talked in the '90s about bringing the garden inside, and now we're talking about bringing the inside out with fabrics that are weather tolerant, comfortable seating. A Better Homes and Gardens survey showed that this year our readers want to either fix their kitchens or create outdoor living areas."

The Garden Writers Association has been surveying consumers, too. Executive director Robert LaGasse reports, "Our data indicates that 86% of all households are involved in some form of gardening. That's more than the number of households with dishwashers. I don't see the shelf space in bookstores as commensurate with the amount of participation by the public."

Rather than scrambling to compensate, LaGasse urged publishers to look ahead: "Another survey done by the garden centers division of ANLA [American Nursery & Landscape Association] recognized that behind the boomers comes a whole generation of people who deal in terms of nanoseconds. Getting them to slow down long enough to smell the roses is the next challenge."—Natalie Danford

How Does Your Garden Grow?

Decisions about what, where and when to plant have been around since God laid out that sumptuous garden somewhere around Eden. Little wonder that finding something fresh in the gardening category is a publishing challenge. So what, we asked, makes a book proposal stand out nowadays?

"Ten years ago," reports Clarkson Potter's publisher, Lauren Shakely, "a would-be author's most important attribute was voice; five years ago, platform; now, we've added lifestyle and stamina. A gardening author who understands and values his lifestyle is more likely to value it in his readers. And authors need to get out and connect with the public. It takes a lot of personal effort to reach readers because this category is still smaller than cooking and a whole lot smaller than romance novels."

"Timber Press has built its reputation on publishing books that are authoritative, accessible and rich in information," says executive editor Tom Fischer, "and those are the qualities we look for in manuscript submissions. Potential authors need to know their subject inside and out—we're not interested in second-hand information. We also expect authors to provide their own photographs, and these need to be of the highest quality. If a writer can meet these two essential requirements—and put together an informed proposal that makes a persuasive case for its publication—they have what we consider the right stuff."

Meredith's executive editor for Home Depot and gardening books, Benjamin Allen, cites three must-haves for new titles. "First, we must agree that gardeners have a need for the information in the book. Second, the title needs to lend itself to a detailed plan for distribution. Just thinking the idea is great so retailers will jump on board is not enough.And third, we carefully analyze the market for evidence that such a title might sell."

The first criterion for Cool Springs Press, reports editorial director Hank McBride, is that a potential title "fit within our line. While we publish selected and strategic national titles, our focus has been and will always be regional. Cool Springs Press buyers know what to expect with a CSP title, and we're committed to offering titles these consumers find informative and useful. Each new CSP title should also supplement information found in a previous title—this makes it easy for gardeners to come back for another CSP book to broaden their experience and increase their success."

"Since this market is so competitive," says Creative Homeowner editorial director Timothy Bakke, "we have to be extra careful when deciding on what to publish. We have to be sure the title will sell through, and that the economics make sense for us. Because of who we are—the 'lifestyle publisher for home and leisure'—we look for titles that address the living/entertaining environment of the landscape—the yard associated with the house or the extended living area of the home—landscaping titles with a regional approach and titles that cover niche areas like water gardening, ponds and fountains."

"We're looking for beautiful, authoritative books on garden design and history—ambitious, wide-ranging books in which content, design and format all work together," says Abrams editor-in-chief Eric Himmel. "What we tend to avoid are books that could be described as generic. A vast amount of gardening lore is available online, while mail-order catalogues tend to do a good job of informing gardeners about plants. Therefore, we're looking for fresh ideas or fresh approaches to familiar ideas—and it doesn't hurt if the authors are well known."

An author who combines passion with true hands-on experience is the one most likely to attract the attention of Storey senior acquisitions editor Gwen Steege. But equally important "is the ability to express that enthusiasm and knowledge, so that readers are excited by the passion and empowered by the information. We're also looking for authors who can meet the needs of the growing number of experienced gardeners who want more specific and sophisticated material, while also capturing the attention of new, younger gardeners."

"Sunset's garden list has increasingly focused on regional titles," says editorial director Bob Doyle, "so the key thing we look for in signing writers is a deeply grounded expertise in the plants, growing conditions and natural landscapes of a particular region. Readers tell us they want advice that's finely attuned to their immediate surroundings—they don't much care about the great plants you can grow in Seattle or Philadelphia, if their particular garden is in Tampa or Santa Fe."

"Our books have a reputation for being very how-to and step-by-step," says Dolores York, executive editor for Reader's Digest. "Within that format, we look for content that can set our books apart from the more inspirational gardening titles. One trend we see continuing is in the garden design area: creating an extension of one's living environment outdoors. We are also finding that books on container gardening and time-saving concepts like weekend gardening do well for us."

"At Rodale," executive editor Margot Schupf says, "we look for books that have a strong promise and deliver great benefit to our readers. It's even better if that promise is something that's unique and new in the gardening world, which can be hard to find. We also look for subjects that have broad appeal—we probably wouldn't publish a book on orchids, for example, or growing heirloom tomatoes. Our books are beautiful, but they're also hardworking and give the gardener a lifetime reference." —Lucinda Dyer

From the Writer's Perspective

PW: A Garden by the Sea [see PW Forecasts, Feb. 28] really captures the way that gardens follow the seasons and evolve over time.

Leila Hadley: Gardening goes back to an ancient agrarian tradition, and it can give you a wonderful, primitive feeling. You have the joy of amending rocky, sandy soil and turning it into crumbly rich soil.

PW: Can you say more about the appeal of having a garden?

LH: It's an amazing thing. You wake up early and you see the sun come up, and the birds are singing, and you smell the dew and the flowers and hear the sea or the breeze. It can be just you, and you feel very special. You feel the world is all around you; you're in touch with everything. It's as if the flowers and the trees and birds and everything are people for you. You want to see how everything is. If there's a leaf that looks bad, you take it off and if there's an aphid on it you get some soap and water and take that off.

PW: What is the connection between writing and gardening?

LH: You edit in gardening just as you edit in writing. And I like to put all the same things in one place, in paragraphs and in the garden. I don't like mixing things up too much. I like seeing one area of irises, one of roses. I have a great big river of daffodils. I'm mad about that. Also, in gardening you check out every little plant and see how it's coming along, if that's where it should be or if it's going to grow too tall and should be put somewhere else. In writing, you wonder if this paragraph should go here or if you should put it somewhere else. Both are about a placement. But of course it's also about color. Blue and lavender go very well together, and you can add a bit of red.

PW: Of course, a garden is never done.

LH: Never. I adore that Milton Berle quote, "A thing of beauty is a job forever."

PW: The book captures what it means to be an organic gardener, how it really comes down to respecting life, inside and outside the garden.

LH: Yes. On Fisher's Island, they wanted to get rid of a certain weed that was pushing other things out, and I've been a voice reminding them that we mustn't do anything to poison the ground water.

PW: You and your husband, Henry Luce III, have been great philanthropists. You have been in a rare position to see how life flourishes when we give it our support and attention, and how that can bring joy to the giver. But some people might glance at the pictures of your beautiful home on Fisher's Island and conclude that this kind of pleasure takes an enormous amount of money. You describe gardening as a very intimate experience. This is really a book about how each one of us can cultivate our lives by gardening.

LH: Oh yes. I once lived in an apartment in New York that had a tiny balcony no bigger than a bath mat. I got a cypress lattice and planted morning glories. You can do anything. You don't need to spend a great deal of money. Get some plants.

PW: I think sometimes people dismiss gardening as trivial or at least optional. They hire others or leave it to others.

LH: But then it's not yours. I think it's an obligation to leave the world a better place than it was when we arrived in it, and I think people need to see flowers, beauty. It's very important to set the plants out on the fire escape. I love perennials, especially. One of the great things about them, and about gardening, is that you start with something that gets better and better.

PW: That's an important lesson in a youth-obsessed and instant celebrity culture, that with gardening, things can get better—people, relationships.

LH: Everything.

—Tracy Cochran

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