Writers' Atlas

Without leaving home or spending a cent on gas, readers of this book can enjoy a scenic view of the entire U.S. that is as familiar as it is disorienting. Weiland, deputy editor of the Paris Review, and Wilsey, editor-at-large for McSweeney's, have gathered a group of 50 disparate voices to explore not just their experience in America, but the way each state was presented in the American Guide series of the Federal Writers Project in the 1930s, in which the Works Project Administration (WPA), as part of F.D.R's New Deal, put more than 6000 American writers to work creating a portrait of this country. The editors wanted “to make a book inspired by the ideals behind the WPA Guides” but they also wanted “something more personal, more eccentric, and more partial.” Obvious heavy-hitters—Dave Eggars (Illinois), Rick Moody (Connecticut), Jhumpa Lahiri (Rhode Island), Barry Hannah (Mississippi), William T. Vollmann (California)—are included, as well as some wonderful surprises. Alison Bechdel's illustrated story about her life after moving to Vermont brilliantly combines personal history with historical fact, as does Charles Bock's essay on growing up and working in his parent's Las Vegas pawnshop. Mohammed Naseehu Ali's tale of life in Michigan, after moving there from Ghana as a teen, illuminates what the “unconditionally generous” Michigan nature shares with the traditions of his own Hausa-Islamic culture. And Franzen's imaginary “interview” with the state of New York is perhaps the high point among this collection of beguiling summations of something all the writers share: a love-hate relationship with how their chosen state has changed and evolved during the course of their lives. (Sept.)