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November Book Club, Day 2: The Setting of Boneshaker

November 17, 2009 I'll keep today's post short; maybe no one's commenting on yesterday's because I said all there was to say!

The key elements of Boneshaker's setting are steampunkish handmade tech and urban decay. The atmosphere inside Seattle's walls is sort of Wild Westish: there's a saloon and an unofficial sheriff and a bad guy who comes into town and disrupts the peaceful lives of the citizens, and whether you're male or female or young or old or disabled matters much less than whether you can shoot a zombie in the head at 300 yards. Following this train of thought, it occurs to me that instead of stereotypical Injun savages, there are... flesh-eating shambling undead. Hm. That is a very unfortunate mapping.

Outside is more urban decay, of a run-down and beaten-down sort rather than an abandoned sort. This reminded me of nothing so much as decrepit suburban settings for horror stories. In some ways it was creepier out there than inside.

I've seen some reviews that suggested the steampunkish bits were sort of tacked on. I'm not a big steampunk fan, though, so it didn't bother me. If you love steampunk, did Boneshaker tickle that part of your fancy?

Posted by Rose Fox on November 17, 2009 | Comments (3)


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November 18, 2009
In response to: November Book Club, Day 2: The Setting of Boneshaker
Tom Proven commented:

Hi Rose,
I didn't comment on yesterday's post, because I didn't read it yet! I am only 184 pages in but hope to finish by next Monday (or sooner, if all goes well).
I am enjoying what I have read so far. In terms of the steampunk being tacked on, it's hard to say. I, also, don't read much steampunk so it hasn't bothered me. Seemed more like a setting question than a sub-genre.
More later. :-)




November 19, 2009
In response to: November Book Club, Day 2: The Setting of Boneshaker
Shira commented:

I'm generally bored with steampunk, but I feel like it worked here, given the context of the Yukon contest and the early development of various technologies in Priest's Clockwork Century.




December 3, 2009
In response to: November Book Club, Day 2: The Setting of Boneshaker
Harry Connolly commented:

I have to say that I'm not sold on that unfortunate mapping. I've seen my share of westerns, and the rotters didn't read at native peoples, stereotypical or otherwise. They are an urban enemy, and a major point of the book is that anyone can be changed into one of them through carelessness or mischance.

I did like the blighted Seattle of the book, though. Very much. So much, in fact, that I've shelved an idea I had for a historical fantasy, because Priest's setting was so much more vivid than what I'd planned.

And you're right about the outside being scarier than in: The sense of exposure to danger in the open spaces is palpable, and Priest builds tension very effectively by limiting the characters' sensory input with the Blight and the gas masks.





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