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Page Versus Screen: 'Perfume: The Story of a Murderer'
September 17, 2007

If some stories are unfilmable (as A.O. Scott said in his 2006 review of the movie), that doesn't keep some studios from trying. This past weekend I belatedly watched 'Perfume: The Story of a Murderer,' and was vastly disappointed. I loved Patrick Sueskind's 1985 novel. Many people did, and that's how adaptations get made.

But that doesn't mean they should be made. I had a chat this weekend with my dear friend R., who asserted that people should stop writing so many reviews and just leave books and movies alone. (Our difference of opinion on this can certainly be partially attributed to the difference between his M.F.A. in fiction and my M.A. in literature... ) I understand his point: where is the good in analyzing something simply for analyis' sake? If someone can enjoy a book or a movie on its own merits, does it always matter if it lives up to the merits of others?

I contemplated these questions before, during, and after my viewing of 'Perfume.' While the movie had its rancid moments, it was still very much worth watching. True, the screen isn't the best vehicle for conveying the sense of smell and its absolutely atavistic hold on memory. But I'd much rather watch Tom Tykwer try to convey the unconveyable than watch another idiotic flick about how a group of eccentric women "teach" a young man How to Live.

Also: watching the movie in no way changes the experience of reading or having read the book. However, if I'd seen the movie first, I might have concluded (especially if I weren't as rabid a reader as I am) that the book were not worth reading. That would be a real shame -- and it's one of the reasons I hope that I and my colleagues keep writing reviews, and readers keep reading them. It's a very good thing to be able to watch a movie and then search for reviews and reports and critiques of the book on which it was based and decide whether or not the book was better than the movie, or vice versa.


Posted by Bethanne Patrick on September 17, 2007 | Comments (10)


September 17, 2007
In response to: Page Versus Screen: 'Perfume: The Story of a Murderer'
ADRIANN RANTA commented:

I *love* Perfume (the book). Whenever I have a friend that's trying to get in to reading, I always lend this book. Watching the movie, I was waiting with baited breath for how they would film the orgy scene... and it was pretty weird and awkward. The book is definitely better. Kudos for the effort in making people read it!




September 17, 2007
In response to: Page Versus Screen: 'Perfume: The Story of a Murderer'
David Thayer commented:

I hadn't read the book and only recently saw the film. Weird, awkward, yes, but well worth watching.




September 17, 2007
In response to: Page Versus Screen: 'Perfume: The Story of a Murderer'
Clea Simon commented:

A friend whose book is being adapted for the screen was given very good advice -- a book and a movie are different creatures, she was told. Try not to compare the two. That said, I tend to avoid movies made of books I love. Why risk having my own images erased? But to stop reviewing books? Sheesh -- might as well say, let's stop discussing them!




September 17, 2007
In response to: Page Versus Screen: 'Perfume: The Story of a Murderer'
christine mccarthy commented:

I read it when it came out in German & then reread it & sold tons when it was translated. Waited over a decade for it to come out as a film. Enjoyed it but wish that Peter Greenaway was involved...




September 17, 2007
In response to: Page Versus Screen: 'Perfume: The Story of a Murderer'
Kevin A. Lewis commented:

Be glad the film turned out as good as it did, Bethanne-standard Hollywood practice is to either cut the author out of the screenplay process entirely or to bring a menagerie of talent-free camp followers to "fix" it till it's no longer seaworthy. I'm surprised that they get ever get it right...




September 17, 2007
In response to: Page Versus Screen: 'Perfume: The Story of a Murderer'
Bethanne commented:

Christine, that's it! We needed Peter Greenaway... Kevin, you're right -- the movie was better than it might have been. At least it held some of the spirit of the book. And it was honest about the grubbiness of 18th-century Europe... Adriann, I love that you give this book to friends who are trying to get into reading. It's so lush. One of the things I did like about the movie was the shots of lavender fields in Grasse. David, totally agree that movie is worth watching, weirdness and all. Clea, I for one will never stop discussing OR reviewing books. Glad you won't, either!




September 17, 2007
In response to: Page Versus Screen: 'Perfume: The Story of a Murderer'
Andie commented:

Strange, I watched the movie this weekend as well. Felt that it was too close to the book and lost a sense of something different. But loved the orgy scene. Was this filmed in Europe? I don't think americans ever would have done that scene.




September 18, 2007
In response to: Page Versus Screen: 'Perfume: The Story of a Murderer'
Charles commented:

I too read the book many years ago and thought it superb. I only rented the movie recently, and while nowhere near as good as the book, generally pretty good. OK, there are a couple of scenes we could've done without, but overall I was not terribly disappointed. I thought both Ben Winshawe and Dustin Hoffman were excellent. And as Stephen King has said "The books are still on the shelf."




September 18, 2007
In response to: Page Versus Screen: 'Perfume: The Story of a Murderer'
Sarah commented:

I've always thought that Jodie Foster could do the Mallory novels. Although she may be getting too old.




October 16, 2007
In response to: Page Versus Screen: 'Perfume: The Story of a Murderer'
atmgr82 commented:

I agreed with your friend R.'s analysis in a paper for senior seminar. Needless to say, my grade on that paper caused me to reconsider the validity of that argument in a purely academic context. As per film adaptations, I've tended toward thinking of them like poetry translations - the translation becomes a work of its own with characteristics of both the original and the translator, regardless of how "true to the original" the translator tries to be.





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