PW Comics Week


Tatsumi's Long Journey

 
Adrian Tomine, translator
Taro and Yoshihiro Tatsumi
at the Tatsumi panel.
Yoshihiro Tatsumi is a seminal figure in the history of manga who is finally enjoying some fame worldwide. The father of "gekiga," the genre of Japanese comics that deals with mature themes, Tatsumi's short stories of sewer workers, window washers and cross-dressing salarymen reflect the frustration of an underclass set against the backdrop of a rapidly modernizing Japan. With a little help from Drawn & Quarterly and a big push from cartoonist Adrian Tomine, Tatsumi's collection The Pushman and Other Stories (already in its second printing) catapulted him into the attention of the American market. This past spring, Tatsumi's work graced the cover and interior of The Paris Review. His second book, Abandon the Old in Tokyo, had record sales at this year's San Diego Comic-con, where Tatsumi made his first American appearance and he and Tomine held a joint signing.

Currently, Tatsumi is working on an 800-page autobiographical graphic novel, A Drifting Life in Gekiga, and has almost 765 pages finished. PWCW sat down with Tatsumi and his translator at this year's San Diego Comic-Con to talk about the birth of manga, the birth of a new genre and the birth of an industry that often required 50 pages a night from its creators.



What's So Great About Ogure Ito?

After the controversial Tenjho Tenge, Manga-ka Oh! Great's Air Gear is released in the U.S.



Comics Creators Target Kids

A group of comics creators launch Kids Love Comics to help parents and teachers.

First Second Goes to Mohawk Country

First Second turns a 16th century diary into a 21st century graphic lit.
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You've seen him go on about his relationships, but in this 10-page preview of I Am Going to Be Small, we get a look at a collection of strange and funny gag strips by the prolific Jeffrey Brown. This big book (384 pages) of small cartoons is due from Top Shelf this week.
Click above for the full preview.
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Scalera and David make an Impact

Back in the Depression-era days depicted in Michael Chabon's Kavalier and Clay, comics were considered to be the bottom rung of creative professions. But now with the comics field booming, more people than ever are interested in breaking into the field, a sometimes daunting prospect. Impact Books has a long line of "how-to" titles aimed at them. Among Impact's books are the late Will Eisner's pioneering texts, Comics and Sequential Art and Graphic Storytelling and Visual Narrative. Impact's backlist also includes Draw Comics with Dick Giordano by the veteran artist.

The Best American Comics
EDITED BY HARVEY PEKAR AND ANNE ELIZABETH MOORE. Houghton Mifflin, $22 (320p) ISBN 0-618-71874-5

The idea of Houghton Mifflin’s distinguished Best American series turning to the comics would once have seemed unlikely, but the powerful narratives in this collection prove why it’s a good idea. Editors Pekar (American Splendor) and Moore (Punk Planet magazine) concentrate on the graphic equivalents of literary fiction and essays, and the best results are haunting. The contents range from the fantastic (Rebecca Dart’s “Rabbithead,” which channels Topo Gigio and Clint Eastwood) through fiction (an excerpt from Alex Robinson’s graphic novel Tricked) to serious nonfiction (Joe Sacco’s account of a Marine unit in Haditha). The longer chunks of story tend to be the most effective, like Justin Hall’s “La Rubia Loca,” an engrossing story about a bunch of hippie slackers stuck on a bus tour through Mexico with a crazy woman. Although there are strong offerings from established comics greats like Crumb, Jaime Hernandez and Lynda Barry, the editors also showcase newcomers like Jesse Reklaw (his touching “13 Cats” is the story of a fractured childhood told through the author’s attachment to a series of doomed kittens. A few of the shorter pieces are almost amateurish by comparison, but in general this volume shows the Best American Comics concept to be a showcase for thought-provoking and evocative work. (Oct.)

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DeFilipis and Weir have Destiny's Hand

Trained as screenwriters, Nunzio DeFilippis and Christina Weir began writing together on the HBO series Arli$$. They jumped into comics, writing several original graphic novels for Oni Press such as Skinwalker, Three Strikes and The Tomb. They also have written for Marvel and DC, scripting superhero series such as New Mutants, New X-Men, Wonder Woman, Detective Comics and Adventures of Superman. Now they're jumping into manga with two original creations, last spring's Amazing Agent Luna, and the girl pirate drama Destiny's Hand, about to hit store shelves.

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August 2 2006
  • Kingdom Come Absolute Edition (DC)
  • Building Opposite (Fanfare/Ponent Mon)
  • Because I'm The Goddess Vol. 1 (Tokyopop)
  • Exterminators: Bug Brothers (DC/Vertigo)
  • I Am Going To Be Small (Top Shelf Productions)
  • Kafka (Active Images)
  • More Than Sparrows (Blind Wolf Comics)
  • Nat Turner (Kyle Baker Publishing)
  • X-Factor: The Longest Night (Marvel)

  • Claypool goes to the Web
  • Kokmen joins Del Rey
  • Seven Seas adds new titles
  • Rocky takes on the U.S.A.
  • Blair Butler's weekly comics reviews on G4TV

PW Comics Week
Editors: Calvin Reid and Heidi MacDonald
Contributing Editor: Douglas Wolk
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