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The Amazing Remarkable Eddie Campbell

Growing up in Scotland, Eddie Campbell had two ambitions: to be a cowboy and to work in the circus. After neither of those panned out, he shifted his sights to comics, gaining renown for his down-to-earth depictions of the Jack the Ripper slayings in Alan Moore's From Hell. More recently, Campbell has partnered with publisher First Second on the more experimental books The Fate of the Artist and The Black Diamond Detective Agency. This summer marks the third partnership between Campbell and First Second, as the publisher releases The Amazing Remarkable Monsieur Leotard in August (it's coauthored by Dan Best). From his home in Australia, Campbell spoke with PW Comics Week by e-mail about Leotard, which is set in the 19th century and follows the bizarre life of a man who stumbles into becoming a trapeze artist for a traveling circus.


Fluffy: A Bunny in Denial

Dark Horse is bringing Simone Lia's talking bunny comics to the US.





Byrne's Next Men Returns

John Byrne's superhero series is getting a reprint after 13 years.
more on comics
In this exclusive preview of Joe Kelly's new miniseries, I Kill Giants, fantasy-minded fifth-grader Barbara Thorson faces the trials of adolescence, including bullies, teachers, and giant-killing. Image Comics will begin publishing the seven-issue miniseries July 9th.
Click above for the full preview.
See all Panel Mania


Ignoring the Direct Market

In the comics industry, there's a tendency to get tunnel vision about distribution. The direct market has been top dog for quite a while. Bookstores are an up-and-coming market for collected editions and replace the old newsstand for monthly issues in a few cases. Other than that, publishers have a tendency to stand pat and not explore new options. If you step back and look past these traditional outlets, new worlds exist that can, in some cases, be just as large a market as the direct market (and/or the direct market's near-monopoly distributor, Diamond ).

Nat Turner
KYLE BAKER. Abrams, $12.95 paper (208p) ISBN 978-0-8109-7227-8

Baker (Why I Hate Saturn, Special Forces) has put his skills to scorching use in this depiction of events leading up to and culminating in the infamous 1831 slave rebellion, illuminating the dehumanizing horrors of American chattel slavery in unflinching terms. Slave Nat Turner's story is told almost wordlessly, with sparse text culled from Turner's own confessions, and the portrayal of slavery's myriad horrors is brought to life by the stark, sepia-toned images. Turner's divinely inspired rebellion, which resulted in the massacre of fifty-five men, women, and children, is chilling to witness, and Baker's animation-influenced style employs a storytelling power that rivets the reader, its charming lines working to add a disturbing counterpoint to the savagery it relates. A compelling historical account, Nat Turner throws a bucket of ice cold water into the face of readers whose history classes may have glossed over this event; it's a harsh, bracing effort that serves as a reminder of the price paid on the long road to the abolition of slavery. Unlike many recent graphic novels seeking to illustrate history, Baker stresses the emotional impact of historical events, with far more gripping results. (June)

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It's a Big Manga World After All

As Japanese manga has become a global phenomenon, its popularity is inspiring artists from around the world to test their skills in the field of sequential art. These artists are also creating works very much inspired by the styles and techniques of Japanese manga, while at the same time adding their own stylistic elements. In a number of countries, however, the works of domestic artists are overshadowed by the popularity of licensed manga, ending up overlooked by the world market and rarely making their way back to Japan. PWCW spoke with literary agent Yukari Shiina about international manga creators.


June 18 2008
  • Y the Last Man Vol. 10: Whys and Wherefores (DC/ Vertigo)
  • Killing Girl Vol. 1: A Sisters Love (Image)
  • Pocket Full of Rain (Fantagraphics)
  • Safest Place (Image)
  • Iron Man: Haunted (Marvel)
  • Blues Man (NBM)
  • Cat Eyed Boy Vol. 1 (Viz Media)
  • Shin Megumi Tensei Kahn Vol. 2 (Tokyopop)
  • Yggdrasil Vol. 1 (Go! Comics)
  • Gakuen Alice Vol. 3 (Tokyopop)
  • Venus Versus Virus Vol. 4 (Seven Seas Entertainment)
  • Turning Points: Sons of Liberty (Simon & Schuster)

  • Shuster Award Winners
  • New David B. from NBM
  • PW The Beat: Tokyopop, San Diego, More
  • Hotwire Comics Show
  • June Zuda Competition
  • MediaBistro Comics Class

PW Comics Week
Editors: Calvin Reid and Heidi MacDonald
Contributing Editor: Douglas Wolk
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