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In the News |
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An Appreciation of James Marshall |
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James Marshall, who created more than 75 books for children, died on October 13, 1992, nearly 16 years ago, at the age of 50. His passing left a hole in the hearts of those who knew him and worked with him, as well as his innumerable fans. This September, Houghton Mifflin is reissuing all 35 of Marshall’s beloved George and Martha stories in one omnibus edition; several authors and artists were invited to write appreciations for the book, and we include a selection of them here.
Jimmers
I have a framed piece of Jim Marshall’s art hanging in my kitchen. It’s a wonderful drawing and on the back it’s covered with Jim’s dedications: “For Devine Susan Meddaugh, From Thoughtful Jim Marshall,” “For Good Old Susan, From Handsome Jim Marshall,” “For Ms. Meddaugh, From Mr. Marshall,” and more, all crossed out. Then, down in the corner, he wrote: “To Susan, From Jimmers.”
I was one of the lucky ones who worked at Houghton Mifflin when Jim did his first books, Plink, Plink, Plink, and then the George and Martha stories. I think everyone in the department considered him a friend. I’d start to smile the moment he got off the elevator.
Then he would read a new story. I can hear him as George, and then as Martha. I hear him as Viola Swamp and Miss Nelson. I hear him as Eugene the turtle and Emily Pig. And you can see Eugene and Emily waiting in the wings in “The Amusement Park” in George and Martha One Fine Day. |
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More News |
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Book News |
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Dionne Warwick Strikes a New Note |
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During her 47-year singing career, Dionne Warwick has won five Grammys, recorded 56 hit songs and earned a star on the Hollywood Walk of Fame. Next month, she adds picture book author to her list of accomplishments when Running Press publishes Say a Little Prayer, co-authored by David Freeman Wooley and Tonya Bolden. Brazilian artist Soud illustrated the book, which the publisher will launch with a 75,000-copy first printing and a $100,000 marketing campaign.
Say a Little Prayer stars Little D, a girl who finds her special talent when she first sings in front of an audience with her grandfather’s encouragement. The story is based on Warwick’s own childhood: she first sang in public from the podium of her minister grandfather’s church in East Orange, N.J. Packaged with the book is an audio CD featuring Warwick’s recording of “Jesus Loves Me,” the song she sang during that debut performance. Warwick says her childhood memories came back easily. “They have always been very much alive for me.” |
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More Book News |
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The WriteGirl Stuff |
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After establishing a successful creative writing and mentoring program for inner-city girls in Los Angeles in 2001, nonprofit organization WriteGirl is preparing to take its publishing division to a broader level of sales and distribution.
Keren Taylor, WriteGirl’s founder and executive director, initially saw the company’s books—trade paperback anthologies of the high school girls’ poetry, essays and short stories—as a showcase for potential members and supporters. “But it quickly became clear,” Taylor says, “that the books have a greater potential for sales to teens, parents and women writers than we realized.”
WriteGirl has published six anthologies since 2001, each containing selections from about 200 students and mentors. In the Los Angeles Times, book review editor David Ulin wrote, “For these girls, writing is a lens, a filter, a way to cut through the nonsense and see the possibilities. The WriteGirl books suggest that reports of literacy’s death have been greatly exaggerated.” |
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Even More Book News |
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Licensing Hotline |
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Superman Goes to School |
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Stone Arch Books, the fiction imprint of Capstone Publishing, is launching its first licensed book line with a series of chapter books for struggling readers that feature DC Comics characters. The initial January 2009 roster will include six Batman and six Superman books; Wonder Woman will be added in the second season. The total program, distributed in the school and public library market, will include 48 titles over four seasons.
The deal came about when one of DC Comics’ reps, who happened to have two sons who were reluctant readers, noticed Stone Arch’s books and thought that pairing those with DC characters would be a good way to get boys to read. She suggested that Stone Arch contact the appropriate people at DC. “Struggling readers really want to read about heroes,” said Michael Dahl, Stone Arch editorial director, noting that the books will include original illustrations by DC Comics artists. “This license will really get a kid to pick up a book.” The titles, for children in grades 3–6 with a reading level of grades 2–3, will develop vocabulary and reading skills in the context of the well-known action franchise. “We worked very carefully with DC on
being consistent with the world of DC Comics,” Dahl adds.
Maryellen Gregoire, Stone Arch’s director of planning, says the company is considering adapting more licensed characters for the school and library market, a relatively new strategy in this channel. She reports that, once licensors became aware of Stone Arch’s deal with DC, more of them began contacting the company. “They tend to talk amongst themselves,” she says. A few proposals for future licensed lines currently are on the table.
In other licensing news, Walter Foster and Giddy Up add new licenses; also, there’s news about Martha Speaks and a trio of other book-based entertainment properties on the horizon.
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In Brief |
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Making History Fun
(and Making Fun of History)
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In The Raucous Royals by Carlyn Beccia (Houghton, Sept.), the author debunks—and sometimes confirms—outrageous rumors about some of history's most notable figures ("Louis XIV took only three baths in his life. True or False?"). To support the title, the author has created a content-rich Web site, which shares the book's sometimes twisted sense of humor. In addition to a history-minded blog and recommended reading list, the site includes a Shakespearean insult generator ("Thou art a froward, onion-eyed pignut!") and other games—in Beccia's version of hangman, players must save Mary Queen of Scots from being beheaded. |
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Weighing In on YA |
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Last week at YA editor/author David Levithan's monthly Teen Author Reading Night, held at the Jefferson Market Branch of the New York Public Library, five authors read from and discussed their most recent YA novels. During the Q&A session, the panelists were asked about the process of writing for teens and being labeled "young adult writers." Here are brief excerpts from their answers.
"Whatever happens happens. You just write like you would for any audience."
—Matt de la Pena (Mexican WhiteBoy, Delacorte)
"I didn't know YA existed as a category when I started writing."
—Lauren McLaughlin (Cycler, Random House)
"I wanted to write nice, plain, direct prose about characters I really cared about."
—Martin Wilson (What They Always Tell Us, Delacorte)
"I'm YA and proud! They're a puzzle you have to work out."
—Lauren Mechling (Dream Girl, Delacorte)
"There's no difference. It's just the vantage point, the point of view."
—Nora Raleigh Baskin (All We Know of Love, Candlewick)
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Q&A |
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People |
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Shanta Small has been named director of publicity for the Penguin Young Readers Division, as of October 1. Most recently she was head of marketing and publicity at Tarcher Books, and before that she was publicity manager at Random House Children's Books, where she worked on the campaigns for The Book Thief by Markus Zusak, Flush by Carl Hiaasen and The Penderwicks by Jeanne Birdsall. Current publicity director Rhalee Hughes, who has been at Penguin for 10 years, is stepping down to open her own p.r. and marketing firm. |
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Mary Albi has been appointed sales and marketing director for Egmont USA. She was previously marketing director at HarperCollins Children's Books, where she worked on campaigns for The Chronicles of Narnia and the books of Shel Silverstein.
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Caroline Sun has been hired by Feiwel and Friends as publicist; she has worked in publicity at HarperCollins, G.P. Putnam's Sons and Riverhead Books. Liz Noland, who had been publicist for Feiwel and Friends, Square Fish and Macmillan Audio, will now work fulltime for Macmillan Audio. |
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Emily Hazel has been promoted to the position of assistant editor at Lee & Low Books. She joined the company in August 2007 as editorial assistant, and before that was assistant to George Nicholson at Sterling Lord Literistic.
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Featured Reviews |
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Spuds |
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Karen Hesse, illus. by Wendy Watson. Scholastic, $16.99 (32p) ISBN 978-0-439-87993-4
Not since Five Little Peppers or, perhaps, The Waltons has poverty been quite so romantic as Hesse and Watson (previously paired with Hesse for The Cats in Krasinski Square) make it seem in this nostalgic book, narrated by the middle of three fatherless children. As their ma leaves to work the night shift, the three sneak out to glean potatoes left on a neighbor's field after the harvester has been through it. Hesse leans on readers to appreciate her use of language: "some high-beam car came flying 'round the bend" and the children dive down, "three tater-snatchers, flat-bellied in the dirt, till the tire buzz faded. Then, rising up in the moonlight, we commenced to cockadoodlin', revelin' in the pure pleasure of a close call." Watson's art roots this story
pleasingly: inside their house, her characters look neat and flattened, the humble cousins of Kate Greenaway; the palette and props say Great Depression or earlier. The children's illicit harvest carries with it a moral, of course, and the narrator eventually realizes that their mother's love is so big that it "could turn even three little spuds like us into something mighty fine." Together, the story and pictures create an appetite, then satisfy it. Ages 4–8. (Sept.)
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Masterpiece |
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Elise Broach, illus. by Kelly Murphy. Holt/Ottaviano, $16.95 (304p) ISBN 9780-8050-8270-8
With overtones of Chasing Vermeer and The Borrowers, this inventive mystery involves two families that inhabit the same Manhattan apartment: the Pompadays—a slick, materialistic couple, their infant son and thoughtful James, from the wife's previous marriage—and a family of beetles, who live behind the kitchen sink and watch sympathetically as James's charms go unappreciated. Careful though the beetles are to stay hidden, boy beetle Marvin crosses the line, tempted by a pen-and-ink set James receives for his 11th birthday. Marvin draws an intricate picture and then identifies himself to a delighted James as the artist. Before James can hide Marvin's picture, Mrs. Pompaday loudly proclaims her son's talent and even James's laid-back artist dad compares the
work with the drawings of Albrecht Dürer. A trip to a Dürer exhibit at the Metropolitan Museum of Art follows, James stowing Marvin in a pocket; before long a curator is asking James to forge a Dürer miniature of Fortitude as part of an elaborate plan to catch an art thief (can a tiny virtue defeat big lies?).
Broach (Shakespeare's Secret) packs this fast-moving story with perennially seductive themes: hidden lives and secret friendships, miniature worlds lost to disbelievers. Philosophy pokes through, as does art appreciation, but never at the expense of plot. In her remarkable ability to join detail with action, Broach is joined by Murphy (Hush, Little Dragon), who animates the writing with an abundance of b&w drawings. Loosely implying rather than imitating the Old Masters they reference, the finely hatched drawings depict the settings realistically and the characters, especially the beetles, with joyful comic license. This smart marriage of style and content bridges the gap between the contemporary beat of the illustrations and Renaissance art. Broach and Kelly
show readers something new, and, as Marvin says, "When you [see] different parts of the world, you [see] different parts of yourself." Ages 8–13. (Sept.)
Reviews from the August 25 issue of Publishers Weekly.
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Bestsellers |
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New in ShelfTalker |
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This week Alison points out some punctuation peeves, gives a gold star to some YA jackets, and has some font-themed fun with a hilarious YouTube video. Read more here.
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Galley Talk |
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On the Radar |
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Talk about a propitious pairing. Big Words for Little People, the latest in a string of picture book collaborations between author/actress Jamie Lee Curtis and illustrator Laura Cornell, aims to introduce the youngest readers to words that go beyond the basic "apple," "ball" or "cat." And it offers a few thoughts on good behavior along the way. Members of a large family demonstrate the meaning of several words, including the need to "cooperate" at the shoe store, after the kids' antics leave the salesman "irate." Big Words arrives September 9 with a 500,000-copy printing from HarperCollins's Joanna Cotler Books.
To support the title, Curtis will kick off a national tour in New York City on the book's pub date, with bookstore readings and signings in California, Michigan, New Jersey, Texas, Nevada and Ohio to follow. Curtis will be the featured author at the Orange County Children's Book Festival in Costa Mesa, Calif., on October 5. Additionally, the author will appear on The Today Show, The View, The Tonight Show with Jay Leno, and the Rachael Ray show. Curtis's children's books have sold more than five million copies.
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Rights Report |
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Jennifer Besser at Disney-Hyperion has won an auction for North American rights to the Demonglass Trilogy, a paranormal YA trilogy by debut author Rachel Hawkins. Following a love spell gone horribly wrong, 16-year-old witch Sophie is shipped off to a boarding school for witches, shapeshifters and faeries; the traumas of mortal high school are nothing compared to the goings-on at "Freak High." Demonglass, the first book in the trilogy, will be released in winter 2010. Holly Root at Waxman Literary Agency was the agent.
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In the Winners' Circle |
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The Children's Book Council of Australia Book of the Year Awards were announced on August 15. The winners are: for picture books: Requiem for a Beast by Matt Ottley (honour books: The Peasant Prince, illus. by Anne Spudvilas, text by Li Cunxin; and Dust, illus. by Colin Thompson et al.; for early childhood: Pearl Barley and Charlie Parsley by Aaron Blabey (honour books: Cat by Mike Dumbleton, illus. by Craig Smith; and Lucy Goosey by Margaret Wild, illus. by Ann James); for younger readers: Dragon Moon by Carole Wilkinson (honour books: Sixth Grade Style Queen (Not!) by Sherryl Clark, illus. by Elissa Christian; and Amelia Dee and the Peacock Lamp by Odo Hirsch); for older readers: The Ghost's Child
by Sonya Hartnett (honour books: Marty's Shadow by John Heffernan; and Black Water by David Metzenthen); and the Eve Pownall Book of the Year for information books: Parsley Rabbit's Book About Books by Frances Watts, illus. by David Legge (honour books: Girl Stuff: Your Full-On Guide to the Teen Years by Kaz Cooke; and Kokoda Track: 101 Days by Peter Macinnis).
After the announcement, a former CBC president criticized the selection of Requiem for a Beast, for its swearing and violent images. Read the story here.
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In the Media |
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From the Times of London: Chorion, which owns the rights to Enid Blyton's works, is attempting to revive the various brands and characters she created, with new books and a Famous Five TV cartoon series.
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From the Independent: Alex Rider creator Anthony Horowitz talks about his long road to bestsellerdom.
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From the Globe and Mail: Jacob Two-Two, one of the late Mordecai Richler's most famous characters, is being revived; Tundra Books has signed author Cary Fagan to write a fourth book in the adventure series.
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From the Sun-Journal: A Maine woman is prepared to go to jail rather than return to her library a copy of It's Perfectly Normal, accusing the library of "disseminating prurient information."
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From the Guardian: Steven Spielberg has been confirmed as the director of DreamWorks's first Tintin movie; Peter Jackson will direct the sequel.
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Did You Miss? |
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From the pages of PW |
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As the fall season kicks off in earnest, here are four books to keep an eye on.
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