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What Recession? Strong Fan Turnout for NYCC 2009

The country may be reeling from the worst economy in years but you couldn't tell it from the tens of thousands of fans pouring into the Jacob Javits Center for the fourth annual New York Comic-con this past weekend. The show opened on Friday afternoon to a respectable crowd after a morning of trade and professional presentations, but the fans showed up in force on Saturday—a sell-out for the day was announced on Friday—and the Javits Center was a beehive of enthusiasm and commerce. Reed Exhibitions v-p and NYCC show manager Lance Fensterman said this year's show drew nearly 77,000 fans, up from the 67,000 attendees last year. (PW is a sister company to Reed Exhibitions).

Show organizers projections for growth at this year's show despite the dire shape of the economy proved correct. Overall the show seemed well organized. Other than problems at the professionals registration on Friday—there were long waits and confusion over badges—Fensterman said this year's show had a minimum of "organizational hiccups. This isn't a scientific survey but I've received many fewer emails, phone calls and comments on my blog about problems this year. And people know how to find me if they have a complaint."

Moving forward, after three years of constantly shifting dates, New York Comic-con moves to the fall in 2010—the show is slated to be in October for at least the next three years—and Fensterman said exhibitors were mostly "enthusiastic" about the switch. "There were more sign-ups at this show for next year than ever before. A lot of people have already committed for next year," he said.

Scott Pilgrim Wins the Convention!

Although the indie presence was small, the new Scott Pilgrim was the book of the show.





New York Manga-Con 2009

Despite small booths and fewer exhibitors manga made itself felt at the show.

Marvel Makes Motion Comics, DC Teases New Format

Traditional superhero comics publishers dominated much of the show with announcements of titles and new delivery options.


more on comics
Creators, publishers, costumed avengers, enslaved princesses, bananas and fans roamed the floors of the 2009 New York Comic-Con and PWCW's roving team of photographers was there to catch all the action.
Click above for the full preview.
See all Panel Mania


Can Creativity Save Comics from Troubled Times?

We are living through tough times, folks. Just like nearly every industry, the comics industry has been hit by the economic downturn. We've seen layoffs, restructuring, cancelled titles, innovative imprints cut, revenue-saving policy changes, and companies fold. The economy has hit me at home, literally: I'm writing this while sitting on my favorite armchair on a weekday afternoon because my hours at SLG have been by 40% until business picks up.

Asterios Polyp
DAVID MAZZUCCHELLI. Pantheon, $29.95 (344p) ISBN 978-0-3073-7732-6

For decades, Mazzucchelli has been a cartoonist's cartoonist, a master without a masterpiece. Now he has one. His long-awaited graphic novel is a huge, knotty marvel, the comics equivalent of a Pynchon or Gaddis novel, and radically different from anything he's done before. Asterios Polyp, its arrogant, prickly protagonist, is an award-winning architect who's never built an actual building, and a pedant in the midst of a spiritual crisis. After the structure of his own life falls apart, he runs away to try to rebuild it into something new. There are fascinating digressions on aesthetic philosophy, as well as some very broad satire, but the core of the book is Mazzucchelli's odyssey of style—every major character in the book is associated with a specific drawing style and visual motifs, and the design, color scheme and formal techniques of every page change to reinforce whatever's happening in the story. Although Mazzucchelli stacks the deck—few characters besides Polyp and his inamorata, the impossibly good-hearted sculptor Hana, are more than two-dimensional caricatures—the book's bravado and mastery make it riveting even when it's frustrating, and provide a powerful example of how comics use visual information to illustrate complex, interconnected topics. Easily one of the best books of 2009 already. (June)

see all reviews


Children's Comics Poised for Growth

Despite predictions of a down year in other sectors of the economy, publishers and editors of children's comics and graphic novels at New York Comic-on were optimistic that their category is poised for growth. Properties aimed at readers 13 years old and under were prominent both on the floor and in the panels and the booths for publishers with strong children's lines, such as First Second, Top Shelf, Oni Press, and Archie Comics were bustling.


February 11, 2009
  • All Star Superman Vol. 2 (DC)
  • Batman: False Faces (DC)
  • Beanworld Vol. 1: Wahoolazuma (Dark Horse)
  • Hayate X Blade Vol. 2 (Seven Seas)
  • Jihai Vol. 1 (CMX)
  • Mixtape Vol. 3 (Image)
  • Orange Crows (Tokyopop)
  • Spike: After the Fall Vol. 1 (IDW)
  • Vigilante: City Lights, Prairie Justice (DC)
  • Wonder Woman: Who Is Wonder Woman? (DC)


  • NYCC09: Read Will Eisner on iPhone
  • NYCC09: Marvel Sets X-Men Stage
  • NYCC09: Focus on the DC Universe
  • NYCC09: Marvel at 70
  • NYCC09: Business of Webcomics
  • NYCC09: Women In Comics
  • O'Neil NYU Comics Course
  • Death Note II on DVD

PW Comics Week
Editors: Calvin Reid and Heidi MacDonald
Contributing Editor: Douglas Wolk
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