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March 12, 2009
In The News
New Ventures
In Brief
New in ShelfTalker
More News
Book News
Featured Reviews
From the Slush Pile


Even More News
More Book News
Q&A
In the Media
Contact Us

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In the News

Haller Moves to Penguin Young Readers
Jennifer Haller
Jennifer Haller, v-p and associate publisher of the children's book group at Houghton Mifflin Harcourt, is moving to the Penguin Young Readers Group as v-p and associate publisher, effective March 26. She will report to Don Weisberg, president of the division. In the newly created position, Haller will oversee the publishing programs for all Penguin Young Readers Group imprints.

In announcing the new position, Weisberg said, "Jen is respected in the industry for her creativity, her keen intelligence and marketing savvy, and her deep love of children's literature. These qualities, cou-pled with her extensive knowledge of the marketplace, give her a unique perspective in today's publishing climate and we are thrilled to have her at Penguin."
More News

Wilson Leaves Scholastic U.K.; Joins Headline
Kate Wilson
In a surprise announcement last Friday, Kate Wilson, group managing director of Scholastic U.K. for the last four and a half years, said she would be leaving the company. Alan Hurcombe, Scholastic UK's director of finance, operations, HR and IT, will become acting group managing director. And on Thursday, Hachette announced that Wilson has been named CEO of Headline, a newly created role.
Even More News

Where's Bono? And What's His Favorite Book Charity?
"Waldo" in front of one
of Candlewick's U2-themed
window displays.
Almost exactly a year ago, when Candlewick Press moved its offices to Davis Square in Somerville, Mass., the building's proximity to the Somerville Theatre, a 90-year old movie theatre/concert hall, wasn't even a consideration. But it became one after it was picked for U2's Boston concert to promote its 12th album, No Line on the Horizon.

Once the news hit earlier this week that the secret location for the concert would be the 900-seat theatre, the press pulled out all the stops. "There really are serious U2 fans here," says Candlewick president and publisher Karen Lotz, who counts herself among them.

To welcome the Irish band, which performed across the alley from Candlewick last night, the publisher installed several window displays of its bestselling titles with a U2 twist, with signs saying "Where's Bono?" and "Guess How Much We Love U2?"
New Ventures

From Pink Slip to Blue Slip
Two children's book publicity veterans are the latest to set up shop on their own after being laid off from a major trade house. Sarah Shealy and Barbara Fisch, formerly joint publicity directors at Harcourt Children's Books, are launching Blue Slip Media, which will specialize in publicity and marketing services for publishers and authors.

Shealy and Fisch had been job-sharing at Harcourt for 15 years, but when Houghton Mifflin Harcourt closed its San Diego satellite office last June, they began to consider going independent. "We both kind of toyed with the idea, but we weathered it out," says Fisch. Their jobs were safe for the time being-they continued to work at HMH from home offices—but they were laid off in a subsequent round of cuts in December.
Book News

Bestselling British Series Arrives in U.S.
His name says it all. Horrid Henry schemes to trick the tooth fairy into leaving him money when hasn't lost a tooth and causes his cousin's groom to fly head-first into the wedding cake. And he constantly concocts creative ways to sabotage his brother Perfect Peter, who loves vegetables and hates TV. American kids will finally have a chance to meet this merry mischief maker—whose books have sold more than 12 million copies in the U.K. alone and have been translated into 27 languages—when Sourcebooks releases four Horrid Henry paperbacks next month.

Launched by Orion in 1993, the Horrid Henry series is penned by Francesca Simon and illustrated with line art by Tony Ross. Simon, an American who has lived in England since 1977, became a journalist after earning a graduate degree at Oxford. It wasn't until she began reading to her son, who was born in 1989, that she tried her hand at children's books. "As I read to him, I found I was suddenly flooded with ideas for books," she says. "The moment I started writing I realized it completely suited me."
More Book News

Something Old, Something New
In Chicken Little, a March picture book from Roaring Brook's Neal Porter imprint, Rebecca Emberley's text puts a new spin on an old tale. The book's art, which she created with her father Ed Emberley, likewise represents a mingling of old and new. As she has done in the past, Rebecca, creator of more than 30 children's books, used cut-paper as the basis for the illustrations. She and her father then scanned the shapes into a computer and experimented with arranging and coloring them, which was a novel way of working for both Emberleys. Here's how the project evolved.

Several years ago, Rebecca concluded that she was "burnt out" from both the collage style of book art she had been creating for 25 years and from long days of administrative work that running her company, Pebble in the Pond Press, had required for three years. "I hadn't done any artwork for a while and was at a standstill in terms of where I wanted to go in my career," she recalls. "And one day I got a call from my father, who said he was kind of bored and suggested we play around with something different. I told him I was only interested in doing artwork that makes me happy rather than having to think about setting up a 32-page book. At that point I didn't want to think about books."
In Brief

Alvarez on the Road
Last month, author Julia Alvarez traveled the U.S. on a five-city tour (New York, Chicago, Seattle, San Francisco, Salt Lake City) for her latest novel, Return to Sender (Knopf, Jan.), about a sixth-grader whose family hires a family of Mexican migrant workers to help their ailing Vermont dairy farm. Alvarez gave a presentation about migrant workers and wore traditional Mexican clothing during her visits, including the one pictured here, at Abrams Elementary School in Seattle, Wash., in an event organized by Secret Garden Bookshop. Students at the school all read Alvarez's 2001 book, How Tia Lola Came to Visit Stay, and Alvarez spoke about that book, as well as Return to Sender.

'Tis 'The Season'
Christmas may be months away, but there was certainly a festive spirit in the air last Thursday, for a publication party in honor of Sarah MacLean, whose first YA novel, The Season, is on Scholastic Press's spring list. In her day job, MacLean is a member of Scholastic's corporate communications team. Here MacLean (r.) greets her editor, Lisa Ann Sandell, who also happens to have a book out (A Map of the Known World) this season from Scholastic. Several other YA authors attended the party as well, including Donna Freitas (The Possibilities of Sainthood), Aimee Friedman (Sea Change), Sarah Cross (Dull Boy) and Sarah Ockler (20 Boy Summer).

'Spoonfuls' of Success
The Cheerios Spoonfuls of Stories New Author Contest keeps on rolling. The picture book that won the first contest, Shellie Braeuner's The Great Dog Wash, illustrated by Robert Neubecker, will be published in July by Simon & Schuster; a hardcover will be available in bookstores, and a paperback edition will be distributed in 1.5 million boxes of Cheerios this spring. Additionally, the winner of the 2008 New Author contest has been announced: Lori Degman of Vernon Hills, Ill., won for her story, 1 Zany Zoo, which S&S has also offered her a book contract for. Spoonfuls of Stories is now accepting submissions for the third New Author contest; details and an entry form are available at the contest's Web site.
Q&A
Melissa Marr
Bookshelf spoke with Melissa Marr about her new novel, Fragile Eternity (HarperCollins, Apr.).
On the cover of Fragile Eternity it says "sequel to Wicked Lovely"—where does Ink Exchange fit in the series, then?
The reason Fragile Eternity uses the word sequel is to indicate that this book features the original characters from Wicked Lovely. But Ink Exchange is a sequel, too. All three books are set in the same world and are sequential in terms of events. Fragile Eternity couldn't happen if Ink Exchange hadn't. And in terms of readability, there are things that will not make as much sense in Fragile Eternity if you haven't read Ink Exchange.
Rights Report

—Margaret Raymo at Houghton Mifflin has acquired two picture books from Caldecott Medalist Chris Van Allsburg. The first one, titled Queen of the Falls, tells the story of Annie Edson Taylor, the first person to go over Niagara Falls in a barrel; it will pub in fall 2010. The second book, as yet untitled, will pub in fall 2011.

—Liza Baker at Little, Brown Books for Young Readers has signed Andrea Davis Pinkney and Brian Pinkney to a two-book deal. The first picture book, Sit-In: How Four Boys Stood Up By Sitting Down, chronicles the peaceful protest at the Woolworth's lunch counter in Greensboro, N.C., in 1960. It is scheduled for spring 2010, to commemorate the 50th anniversary of the event. Rebecca Sherman of Writers House was the agent.

—DreamWorks Animation has optioned rights to Dinotrux, a picture book by Chris Gall that will be developed as a CG-animated film. The deal was for the mid-six figures, according to Variety. The book takes place in a fictional prehistoric age, when the world was ruled by Dinotrux: creatures that were part trucks, part dinosaurs. Little, Brown will publish Dinotrux this June. Hotchkiss and Associates did the deal for Sterling Lord.

—Film rights to R.A. Nelson's debut novel, Teach Me, have been optioned to Patrick Brown at Protagonist Films. The novel features a high school senior who falls in love with her poetry teacher, and her life turns into an obsessive nightmare when their connection turns physical. Stephen Moore at the Paul Kohner Agency sold the rights on behalf of Rosemary Stimola at Stimola Literary Studio.
Featured Reviews

Just Like a Baby
Juanita Havill, illus. by Christine Davenier. Chronicle, $15.99 (32p) ISBN 978-0-8118-5026-1
The collaborators behind I Heard It from Alice Zucchini offer a warmhearted story about a family with big plans for a little newborn. Davenier's luminous watercolors and vivid characterizations are the main draw; she portrays a large, loving and highly expressive family that can't help projecting their identities onto their newest member. Among those cooing and making goo-goo eyes at the bassinette are Uncle Tony, who thinks baby Ellen is certain to be a pilot ("soaring, coasting, loop-de-looping, like me"), and Aunt Rachel, an academic, who declares that Ellen will "master Sanskrit and Javascript, Greek and Chinese, ponder scrolls and Web sites, just like me." Ellen, who isn't revealed until the final page, finally asserts herself with "an earth-shaking howl, a cloud-ruffling yowl, a listen-to-me-I'm a-baby squall." Although this book won't help ease nascent sibling rivalry—what kid wants to be reminded that everyone's attention is focused on the new arrival?—the gentle joke at the expense of the silly relatives should go over well. Ages 6 mos.-3 yrs. (Apr.)

A Templar's Apprentice
Kat Black. Scholastic Press, $17.99 (288p) ISBN 978-0-545-05654-0
In Black's impressive debut, first in the Book of Tormod series, the Knights Templar weren't merely a crusading religious order-they possessed powers ranging from precognition to mind control and used them to fight the excesses of King Philippe of France. Tormod, a Scottish teenager, occasionally has prophetic visions, but has learned to keep this information to himself. After a chance encounter with the knight Alexander, he is drawn into an adventure that eventually takes him to mainland Europe. Along the way, Alexander trains Tormod in combat, his special powers and the history of the Knights Templar. The action is frequent and often brutal, but never feels out of place. Black gives Tormod a strong and clearly Scottish voice that readers will quickly comprehend. There are moments that seem dubious, but they never impede the fast-paced plot. A captivating mix of history, fantasy and religion, the novel is a solid adventure that makes good use of its historical setting. Ages 12-up. (Feb.)

Reviews from the March 9 issue of Publishers Weekly.

see all of this week's reviews
including our web exclusive Annex
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Bestsellers


Fiction Bestsellers
March 2009

  1. The Graveyard Book. Neil Gaiman. HarperCollins, $17.99 ISBN 978-0-06-053092-1
  2. The Book Thief. Markus Zusak. Knopf, paper $11.99 ISBN 978-0-375-84220-7
  3. Scat. Carl Hiaasen. Knopf, $16.99 ISBN 978-0375-83486-8
  4. Coraline. Neil Gaiman. HarperCollins, paper $6.99 ISBN 978-0-06-164969-1
  5. The Tale of Despereaux. Kate DiCamillo. Candlewick, paper $7.99 ISBN 978-0-7636-2529-0
Checking In


One of the most heavily buzzed-about titles of 2008 was Suzanne Collins's dystopian novel The Hunger Games, and there's already plenty of anticipation—and news—ahead of the second book, Catching Fire, due this fall from Scholastic Press. Here's a roundup of the latest, including an earlier release date for Catching Fire, as well as a new contest, which is being announced for the first time here in Children's Bookshelf.

As Bookshelf previously reported, Catching Fire will have a 250,000-copy first printing. And fans (and booksellers) should take note: the book's on-sale date has been bumped up a week. Originally scheduled for September 8, Catching Fire will now be released on September 1. Scholastic moved the pub date in response to retailers' requests for the book to be out in time for the Labor Day weekend. "Hallelujah—that makes a huge difference," says Carol Chittenden, owner of Eight Cousins in Falmouth, Mass., who says she had begged her sales rep "on bended knee" for an earlier pub date. "Before the school year kids have more time and inclination to have a go at it. Once school starts, pressures are elsewhere."
On The Scene
Talk of the 'Times'

"Serendipity!"

That was the succinct answer given by Julie Just, children's books editor of the New York Times Book Review last Saturday, when asked how she determines just which books will be reviewed in the prestigious paper. "It could be a certain cover that you fall in love with, or recommendations from colleagues," she said. "It could just be reading, reading, reading. But it often comes down to serendipity."

The question arose during a panel presented by the Children's Literary Café at the new Children's Center at 42nd Street in New York City on March 7. Moderated by Elizabeth Bird, children's librarian at the New York Public Library, the panel aimed to highlight issues ranging from how books are selected for review to how the reviewers themselves are selected, to the recent loss of book review space in various newspapers and the future of children's book reviews.
People


Dina Sherman has been named school and library marketing director for the Disney Book Group. She will oversee all educational marketing plans and initiatives for all DBG imprints. Sherman was most recently senior manager of school and library marketing at HarperCollins Children's Books. She starts on March 16.


Alexandra Cooper has been promoted to senior editor at Simon & Schuster Books for Young Readers, from editor. She has been with S&S for eight years.
In The Media


From USA Today:

This won't be news to publishers—Stephenie Meyer's success is having a spillover effect, engendering numerous paranormal romances for teens.


From the Washington Post:

And a story about the "narcotized" apathy on college campuses points out that Twilight and its sequels are much more popular these days than subversive, counter-cultural literature.


From CNN:

A signed first-edition of Harry Potter and the Philosopher's Stone sold at a Texas auction for $19,000 earlier this week.
New in ShelfTalker


Lots of comments from Alison's readers this week: she blogged about awards that "went to the wrong book," adult authors who cross over to write for children, and asks, "What books would Nancy Drew buy?" Click here and add your thoughts!

Contact Us


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—The Editors

From the Slush Pile

Click here to read Tales from the Slush Pile from the beginning

 

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