Tezuka's Black Jack Returns
 Japanese pulp fiction and classic manga publisher Vertical Inc. announced plans to publish Black Jack, legendary mangaka Osamu Tezuka's popular series about a genius surgeon, in its entirety beginning in fall 2008.
Black Jack originally ran in Japanese publisher Akita Shoten’s magazine, Weekly Shonen Champion, from 1973 to 1978. The series is approximately 12 volumes. According to Ada Palmer, founder of Tezuka in English, a website devoted to introducing Tezuka to an English speaking audience, Viz Media published the first two volumes before licensing conflicts with Tezuka Productions forced Viz to cancel the series. A new Black Jack anime—which included the collaboration of Tezuka’s son—recently finished airing on Japanese television after a two-year run. An older version of the Black Jack anime, originally created in the 1980s, was made available unofficially by fans over the Internet and is now available on iTunes.
The series stars title character Black Jack, an unlicensed but gifted surgeon who saves peoples lives, often against all odds. The series is a childhood favorite of Vertical editorial director Ioannis Mentzas. "[Black Jack] is probably the most influential book of my early years,” explained Mentzas, “and I've heard that sentiment from many Japanese." Mentzas added that the character’s appeal lies in its psychology. "Black Jack reflects the glory and squalor of early adulthood,” he said. Mentzas believes that the series will draw an audience in the late teens to early 20s. "I think any high school or 20-something person of the slightest intellectual bent will identify with BJ."
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Between the opening note of perverse sexuality and the touching tribute to the permanence of true love at the end, murder, time travel and alternate futures fill in the second act of this astonishing graphic novel. Such a tale could only be penned by Jason, the Norwegian cartoonist who mixes outre fantasy with deadpan romanticism. As in all his books, this one is populated exclusively by a cast of lanky anthropomorphic animals. The setting is a world where hit man is just another job; the hero has a dissatisfied girlfriend and a boring job knocking off people who are merely annoying—a too loud neighbor, an overbearing boss. But as usual in Jason's work, the story soon veers off in
an unexpected direction when the protagonist is hired to go back in time to kill Adolf Hitler via a time machine that takes 50 years to fully charge. He only has one chance, but messes up, allowing Hitler to come to the present day. The story—perhaps inspired by the French time travel film La Jetée—takes on even more unusual twists from there, before reaching a surprising and completely satisfying denouement that solves both the hero's relationship problems and World War II. Jason continues to be one of the best cartoonists working anywhere. (Oct.) 
