Sneak peeks of next week's reviews: From Julia Child's grandnephew, Alex Prud'homme, comes a memoir about the inimitable chef's early years in the culinary capital: My Life in France. And, from Walter Mosley, a new novel about an unlikely ties that bind in Fortunate Son.
My Life in FranceWith Julia Child's death in 2004 at age 91, her grandnephew Prud'homme (The Cell Game) completed this playful memoir of the famous chef's first, formative sojourn to France with her new husband, Paul Child, in 1949. The couple met during WWII in Ceylon, working for the OSS, and soon after moved to Paris, where Paul worked for the U.S. Information Service. Child describes herself as a "rather loud and unserious Californian," 36, six-foot-two and without a word of French, while Paul was 10 years older, an urbane, well-traveled Bostonian. Startled to find the French amenable and the food delicious, Child enrolled at the Cordon Bleu and toiled with increasing zeal under the rigorous tutelage of éminence grise Chef Bugnard. "Jackdaw Julie," as Paul called her, collected every manner of culinary tool and perfected the recipes in her little kitchen on rue de l'Université ("Roo de Loo"). She went on to start an informal school with sister gourmandes Simone Beck and Louisette Bertholle, who were already at work on a French cookbook for American readers, although it took Child's know-how to transform the tome—after nine years, many title changes and three publishers—into the bestselling Mastering the Art of French Cooking (1961). This is a valuable record of gorgeous meals in bygone Parisian restaurants, and the secret arts of a culinary genius. Photos. First serial in the New York Times Magazine and Bon Appetit. (Apr.)
Fortunate Son
Walter Mosley. Little, Brown, $23.95 (320p) ISBN 0-316-11471-5
White Los Angeles heart surgeon Minas Nolan, a very recent widower, meets African-American flower-shop employee Branwyn Beerman when her son Thomas is born prematurely with a hole in his lung, and without a father in his life. Minas has a son, Eric, a week younger than Tommy, and the four, along with enigmatic Vietnamese nanny Ahn, soon form a loving ménage. Following Branwyn's sudden death 50 pages later, Tommy, now six, is plunged into a hardscrabble life when his difficult father, Elton, claims him; he grows up without resentment, talking aloud to Branwyn when he's sad or confused (and sometimes to Elton's on-again, off-again partner, May), but ends up on the streets. Eric, meanwhile, sails through childhood and adolescence, but remains alienated, constantly missing "his brother," even having a child at 16 with Christine, who's a few years older. Knowingly drawing on the genre constraints that drive his Easy Rawlins mysteries, Mosley puts Thomas through trial after trial, and Eric through a kind of chronic heartlessness. Both continually refer to the time they lived together, and each thinks of the other as a real brother. After more than 10 years of separation, they're reunited, but that's not the point. With the lightest, slyest of touches, Mosley shows how a certain kind of inarticulate, carnal, involuntary affection transcends just about anything. It's not love, it's fate, and it's breathtaking. (Apr. 10)
|
|
© 2009, Reed Business Information, a division of Reed Elsevier Inc. All Rights Reserved.