It’s not a stretch that art, architecture, and design publisher Taschen (booth 1720) has had a special booth and signage created to highlight its show special, Genesis, the new photography book by Brazilian photographer Sebastião Salgado. One of the world’s most revered photojournalists, Salgado has worked with the photo agencies Sygma, Gamma, and Magnum Photos.

A portfolio of large-format images, Genesis is the result of Salgado’s eight-year expedition to parts of the world still untainted by modern civilization; in it, his black and white photographs depict the mountains, deserts, oceans, animals, and peoples that he encountered. He completed his travels a year and a half ago, and the book was published this past April, concurrent with an exhibit of the photos opening at the Natural History Museum in London.

The book is available in two hardcover editions. There’s the 10-in.×14–in., 520-page trade edition retailing for $70, but that one’s dwarfed by the 704-page, $3,000 collector’s edition. Limited to 2,500 copies, it comes with a special wood and leather book stand designed by Japanese architect Tadao Ando, the only living person to have won architecture’s four most prestigious prizes. Ando’s simple design consists of two pieces of wood, bound with leather, into which a third piece of wood is slotted to form a sturdy yet elegant stand. And a good thing, as Taschen’s catalogue refers to this edition as “sumo size,” weighing in at 130 pounds and measuring about 18 inches by 28 inches. Visitors to the booth can view both the trade edition and a sample of the collector’s edition.

Genesis is the third of Salgado’s long-term projects published by Taschen; Workers (1993) documented the vanishing way of life of manual laborers across the world, and Migrations (2000) chronicled the syndrome of mass migration driven by hunger, natural disasters, environmental degradation, and demographic pressure.