Ashton Hall

In the well-crafted latest from Belfer (And After the Fire), Manhattan art historian Hannah Larson puts her career on hold to give her son, Nicky, who suffers from violent outbursts, the constant care he needs. When Hannah’s uncle invites her and Nicky to spend the summer in England, she’s just discovered that her husband, Kevin, is having an affair, and welcomes the respite from marital tensions. Hannah and nine-year-old Nicky are fascinated by Ashton Hall, the ancient Cambridgeshire manor in which her uncle leases an apartment. Exploring an abandoned wing, Nicky discovers a skeleton in a room that’s walled up except for a single small opening. The body is identified as that of Isabella Cresham, a late–16th-century member of the family that once owned the Hall, and some of the artifacts found nearby suggest that Isabella was a Catholic despite her era’s brutal religious strictures. Hannah, herself feeling trapped due to financial dependence on Kevin, who refuses to end his affair, is drawn to Isabella’s story. As she gleans details of Isabella’s life from sketchbooks and ledgers found in another room in the house, she struggles to chart her own future. Without slipping into country house clichés or simplistic parallels, Belfer offers a nuanced exploration of the ways women’s lives are constricted. Anglophiles and Tudor history buffs will enjoy this immersive tale. (June)