Droll details about growing up with charismatic yet unstable parents animate McSweeney’s publisher Uhle’s enjoyable debut. “The Longs,” Uhle writes, “were masters of reinvention,” who moved frequently and burned through careers as their finances boomed and busted. Her father, Steve, invented a fast-selling soap dispenser in the 1980s, then settled the family in a lavish Long Island mansion. When his next big idea—an “AIDS-resistant toilet seat”—fizzled, the family downsized, and Steve decided to become a pastor despite having no background in religion. As the ground kept shifting, Uhle chafed at her mom’s obsessive hoarding and her father’s hucksterism, and had recurring dreams of obliterating their crowded house. Her account resists excessive psychologizing: though Uhle stresses the trials of having to parent her parents, her tone throughout remains more bewildered than melancholy. Some readers may wish she was more curious about the source of her parents’ dysfunctions, but Uhle’s preference for cockeyed portraiture in place of warmed-over inherited trauma tropes is refreshing. The author shares at least one quality with her parents: she can spin a good yarn. Agent: Julie Stevenson, Massie McQuilkin & Altman. (Aug.)

Reviewed on 07/18/2025 | Details & Permalink

Sanford (Plague Birds) centers this flimsy horror-fantasy novella around family drama, cycles of violence, and otherworldly appetites. Teenager Amelia is a ripper, one of a hidden race of predators who feed on violent men the rippers call Alexanders by transforming their mouths into a horrifying maw capable of swallowing entire bodies whole. Amanda is an anomaly, however, due to her ability to experience emotions other than rage; she alone among her kind is able to feel love. Now she and her ailing mother, Danjay, arrive in a new city that proves a hotbed of both Alexander activity and run-of-the-mill religious bigotry. After killing an Alexander, wiping the memories of the man’s wife and child, and moving into the family’s house, they must decide which humans (and which other rippers) they can trust as dark forces close in around them. Sanford handily brings his characters to life, and horror fans will have a lot of fun digging into both the mechanics of the rippers’ anatomies and the worldbuilding that supports the story’s central religious conflict. The plot feels incomplete, however, full of ambitious ideas that are hardly given enough time to establish themselves. Readers will be frustrated. Agent: Lucienne Diver, Knight Agency. (July)

Reviewed on 07/18/2025 | Details & Permalink

Mount Shasta, Calif., high school senior Izumi Tanaka is a normal 18-year-old American girl: she enjoys baking, watching Real Housewives, and dressing like “Lululemon’s sloppy sister.” But Japanese American Izzy, conceived during a one-night stand in her mother Hanako’s final year at Harvard, has never known the identity of her father. So when she and her best friend find a letter in Hanako’s bedroom, the duo jump at the chance to ferret out Izzy’s dad’s true identity—only to find out he’s the Crown Prince of Japan. Desperate to know her father, Izzy agrees to spend the summer in his home country. But press surveillance, pressure to quickly learn the language and etiquette, and an unexpected romance make her time in Tokyo more fraught than she imagined. Add in a medley of cousins and an upcoming wedding, and Izzy is in for an unforgettable summer. Abrupt switches from Izzy’s perspective to lyrical descriptions of Japan may disrupt readers’ enjoyment, but a snarky voice plus interspersed text conversations and tabloid coverage keep the pages turning in Jean’s (Empress of All Seasons) fun, frothy, and often heartfelt duology starter. Ages 12–up. Agent: Erin Harris, Folio Literary Management. (May)

Reviewed on 05/07/2021 | Details & Permalink

Kelkar’s (Bindu’s Bindis) novel features Oceanview Academy middle schooler Sonali, whose stoicism contrasts with her love of Bollywood movies’ melodrama. Stuck in a Los Angeles home with constantly arguing parents and her sensitive nine-year-old brother Ronak, Gujarati American Sonali, 11, tries to make sense of her world through the Hindi movies she’s seen all her life. Ever since an earnest public attempt five years ago to stop her parents’ fighting led to widespread embarrassment in front of family, Sonali has resolved to hide her emotions and do her best to ignore her parents’ arguments. But her efforts prove futile when her parents decide to try the “nesting” method of separation, where they take turns living in the house with Sonali and Ronak. The contemporary narrative takes an entertaining fabulist turn as Sonali’s life begins to transform into a Bollywood movie, with everything she feels and thinks made apparent through her “Bollywooditis.” Sonali’s first-person perspective is sympathetic as she navigates friendship and family drama, and Kelkar successfully infuses a resonant narrative with “filmi magic,” offering a tale with universal appeal through an engaging cultural lens. Ages 8–12. Agent: Kathleen Rushall, Andrea Brown Literary. (May)

Reviewed on 05/07/2021 | Details & Permalink

When she was six, Justice Kasric watched her blue-eyed merchant father play chess with the Faerie King. Now 15, Justice believes the event was merely a dream. She spends her days yearning for adventure, watching from the sidelines while her 16-year-old sister Faith, as slender and golden-haired as Justice but not as curious, becomes the toast of Victorian London society. One night, however, their father shatters their comfortable lifestyles when he forces the family—Justice, Faith, their younger brother Henry, and their constantly medicated, distant mother—into a locked carriage that takes them to a shadowy mansion. Justice’s discovery that the Faerie have invaded the human world and are targeting her family gains further urgency when she learns that her parents are on opposite sides of the conflict. Together, the Kasric siblings—including older brothers Benedict and Joshua—must find a way to save their family. While characters lack depth at times, and insufficient historical details don’t fully evoke the Victorian setting, Klaver’s (the Supernatural Case Files of Sherlock Holmes series) rich, lyrical descriptions augment the fantastical source material in this engaging series starter. Ages 13–up. Agent: Lucienne Diver, the Knight Agency. (May)

Reviewed on 05/07/2021 | Details & Permalink

Nine years before this novel begins, eight-year-old best friends Esme Randal and Kayla Price snuck out of their cabin at Camp Pine Lake in Texas. They swore never to discuss the terrible events that followed, but when the girls, now 17, return to the camp as counselors-in-training from their hometown of Lewisburg, Pa., that proves easier said than done. Someone begins sabotaging camp activities, and ominous—and increasingly public—threats appear, referencing that fateful summer. The only other person who knows Esme and Kayla’s secret is a local girl named Lillian Campbell, whom they left to fend for herself that night in the woods. They’re loath to voice their suspicions of revenge lest they get in trouble or look bad in front of hunky fellow counselors Jake and Olly, but as events escalate, they realize they may not have a choice. Narrating from Esme’s increasingly apprehensive first-person perspective, Preston (The Twin) pays homage to classic summer camp slasher films. The underdeveloped, predominantly white cast relies heavily on stereotype, and the clichéd tormenter’s motive feels unearned, but horror fans will likely appreciate this paranoia-fueled tale’s gruesome, shocking close. Ages 12–up. Agent: Jon Elek, United Agents. (Mar.)

Reviewed on 05/07/2021 | Details & Permalink

Inspired by her own family’s refugee journey from Vietnam to Hong Kong, Văn’s (If You Were Night) spare picture book, powerful in its deliberate simplicity, follows a black-haired, pale-skinned child as they, their guardian, and two younger siblings join other asylum seekers for a perilous maritime voyage. In a third-person voice, Văn anthropomorphizes objects, relaying their wishes: “The dream wished it was longer,” one spread reads, as a balding, mustached guardian holds the protagonist close, and a guardian with a bun rouses the second child to dress them. “The clock wished it was slower,” the subsequent pages read, as the two children tearfully hug their mustached guardian goodbye. The narrative continues as the now family of four make their way onto the boat and beyond. A final-act switch to first-person perspective drives home the journey’s personal nature. Intricate, lissome fine-lined art by Ngai (Dazzle Ships) recalls classical Asian compositions, Japanese woodblock prints, and an evocative sensibility in a gradated, surrealistic color palette. A seamless interweaving of elegant prose and atmospheric art marks this affecting immigrant narrative. Back matter includes heartfelt author’s and illustrator’s notes. Ages 4–8. (May)

Correction: A previous version of this review misquoted the book's text.

Reviewed on 05/07/2021 | Details & Permalink

In a straightforward picture book debut by Meloy (the Apothecary series), a red-orange octopus is “happy in his cave,” until a human, portrayed as a pale hand, tricks the cephalopod into occupying a glove and subsequently takes him to “a glass house that wasn’t a cave.” Though the octopus is offered interactive tests and activities—including building blocks, a jar to unscrew, tight passages to navigate, and a camera to photograph visitors to his aquarium home—his days lack differentiation, and the pining octopus soon devises an intrepid plan to return home. The sympathetic prose is rhythmic, allowing readers to see the octopus’s perspective at every step of the process: of the glass house, “There were no waves. No little shivery ones. No big tumbling ones.” Sala (Green on Green) contributes vibrant art rendered in gouache, watercolor, and pastel on paper; particularly effective are spreads of the sinuous subject’s ocean life, with its richly varied flora and fauna. The Finding Nemo–esque adventure follows a predictable arc, but the tender narrative is gratifying and may serve as an effective jumping-off point for discussions about animal captivity. Ages 3–7. (May)

Reviewed on 05/07/2021 | Details & Permalink

Josie, a light brown–skinned child with a cotton candy–esque cloud of pink hair, has difficulty falling asleep because she sees “monsters in the dark” every night. When her father gives her a Scary Snapper—a flashlight he promises will transform monsters “into something not scary at all”—Josie soon discovers the real objects behind many of her fears. Punctuated with “SNAP!”s throughout, Downing’s narrative about braving the unknown is well-paced as Josie shines her beam on frightening sounds and shadows in turn, revealing them to be household mainstays such as a coat rack and a sleeping cat. But when Josie’s Snapper doesn’t work on one particular monster, she discovers newfound courage in a satisfying speculative twist. Machado’s digital illustrations feature a soft-hued palette; cool tones effectively capture the nighttime mood, while the flashlight’s goldenrod beams of light turn nightmarish silhouettes to warmer-toned reality checks. Ideal for bedtime reads, this picture book debut will resonate with readers who might be afraid of the dark, a salient reminder of the power they hold within themselves. Ages 3–5. (Self-published)

Reviewed on 05/07/2021 | Details & Permalink

Maverick doctors, scientists, and public health officials took charge of the fight against Covid-19 when the CDC and the Trump administration failed to act, according to this illuminating rehash of recent history. Lewis (The Fifth Risk) spotlights a group of doctors who overcame bureaucratic inertia and conventional wisdom to write the U.S.'s pandemic response plan in 2007, after President George W. Bush read a history of the 1918 Spanish flu pandemic and asked what the government would do in such a scenario. Carefully reinterpreting data from 1918, Veterans Affairs official Carter Mecher and other group members developed a "Swiss Cheese strategy" of multiple social interventions (school closures, bans on group gatherings, etc.) layered on top of one another to contain a disease outbreak until a vaccine could be developed. In January 2020, Mecher used sketchy, incomplete data emerging from China to forecast the spread of Covid-19 in the U.S., and shared his findings with California deputy chief health officer Charity Dean, who eventually convinced Gov. Gavin Newsom to issue the country's first statewide stay-at-home order. Though the book's first half is somewhat slow-going, Lewis draws vivid profiles of Mecher and Dean, in particular, and litters the narrative with lucid explanations of epidemiology, disease modeling, and genomic sequencing. Readers will be aghast that these experts weren't leading the battle from the start. (Apr.)

Reviewed on 05/07/2021 | Details & Permalink