The Hunchback of Notre Dame

Victor Hugo, Author, Tim Wynne-Jones, Author, Bill Slavin, Illustrator
Victor Hugo, Author, Tim Wynne-Jones, Author, Bill Slavin, Illustrator Orchard Books (NY) $15.95 (40p) ISBN 978-0-531-30055-8
Reviewed on: 09/01/1997
Release date: 09/01/1997
Paperback - 320 pages - 978-0-14-038253-2
Paperback - 978-0-425-12667-7
Mass Market Paperbound - 288 pages - 978-0-440-22675-8
Mass Market Paperbound - 978-0-451-51683-1
Mass Market Paperbound - 978-0-451-51988-7
Mass Market Paperbound - 512 pages - 978-0-451-52222-1
Paperback - 86 pages - 978-0-486-28564-1
Hardcover - 417 pages - 978-0-517-12375-1
Mass Market Paperbound - 978-0-553-21032-3
Mass Market Paperbound - 978-0-553-21224-2
Mass Market Paperbound - 384 pages - 978-0-553-21370-6
Paperback - 498 pages - 978-0-590-93808-2
Paperback - 112 pages - 978-0-679-87429-4
Paperback - 124 pages - 978-0-689-81027-5
Analog Audio Cassette - 978-0-7861-0570-0
Hardcover - 608 pages - 978-0-7868-6235-1
Analog Audio Cassette - 4 pages - 978-0-7871-0526-6
Analog Audio Cassette - 978-0-7871-0992-9
Paperback - 48 pages - 978-0-8114-6827-5
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Children who have had a taste of Hugo's 18th-century epic through the animated film may find this version, with its absence of song, rather sobering. Wynne-Jones (Some of the Kinder Planets) makes no attempt to soften the harsh story of the hideously deformed, big-hearted Quasimodo, who escapes ridicule only in the sanctuary of the cathedral. Although the narrative is fluent and conversational, children may need guidance through some of the more challenging vocabulary and occasional wordy passages. The irony in Hugo's novel is preserved here, as when Wynne-Jones draws a delicious parallel between church and state: Quasimodo is deaf because ""the bells of the church had made him that way""; the judge who sentences the deformed man to a flogging ""is as deaf as Quasimodo. The court had made him that way."" Still, the deeper implications of the story will likely be lost on children. Dramatically framing the text are Slavin's (Extra! Extra! The Who, What, Where, When and Why of Newspapers) subtly hued, skillfully composed paintings. His mastery of detail, especially in period dress and architecture, makes turbulent medieval Paris appear real--sometimes frighteningly so. This polished, thoughtful collaboration may serve as an authentic preview to Hugo's classic, but may be best appreciated with an adult standing by. Ages 5-8. (Sept.)
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