American Tabloid

James Ellroy, Author
James Ellroy, Author Knopf Publishing Group $25 (5p) ISBN 978-0-679-40391-3
Reviewed on: 01/30/1995
Release date: 02/01/1995
Mass Market Paperbound - 544 pages - 978-0-8041-1449-3
Paperback - 571 pages - 978-0-449-00090-8
Mass Market Paperbound - 978-0-449-22454-0
Hardcover - 978-0-517-17179-0
Paperback - 592 pages - 978-0-375-72737-5
Hardcover - 585 pages - 978-0-09-953782-3
Open Ebook - 592 pages - 978-1-4481-0859-6
Hardcover - 416 pages - 978-0-7126-4816-5
Open Ebook - 444 pages - 978-0-307-79843-5
Hardcover - 592 pages - 978-0-09-989320-2
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Although it follows his L.A. Trilogy chronologically, Ellroy's visceral, tightly plotted new novel unfolds on a much wider stage, delivering a compelling and detailed view of the American underworld from the late 1950s to the assassination of JFK. Demythologizing the Camelot years, Ellroy (White Jazz) depicts a nexus of renegade government agencies, mobsters, industrial tycoons and Hollywood players fueling the rise and fall of the Kennedy administration. The story hinges on the entanglements of three 40-something government mercenaries who play major, behind-the-scenes roles in such events as the Bay of Pigs and the assassination of the president. Suave and sybaritic Kemper Boyd pimps for JFK while carrying out simultaneous undercover work for the CIA, FBI, Robert Kennedy and the Mob. Hulking, sadistic ex-L.A. cop Pete Bondurant, a hired killer for Jimmy Hoffa, digs dirt for a drug-addled Howard Hughes while training a cadre of bloodthirsty, anti-Castro Cuban exiles off the Florida Coast. Idealistic FBI wiretapper Ward Littel, following a series of disastrous anti-Mafia operations, becomes a Machiavellian mob lawyer. All three rub shoulders with an enormous cast of real-life characters, including clever, two-dimensional portraits of the Kennedy family, J. Edgar Hoover and Jack Ruby. Exercising his muscular, shorthand prose, Ellroy moves the narrative from break-in to lurid assignation to brutal hit job in a tightening gyre that culminates in the murder of the president. While not especially convincing as revisionist history, this is a cool and riveting evocation of a cultural epoch abounding in government surveillance, endemic corruption and yellow journalism. BOMC and QPB selections; author tour. (Feb.)
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