Poet, novelist and Fulbright fellow Hill (Lucy Boomer
) brings seductive intensity to this story of quiet desperation and the corrupting effects of obsession. Jack Stone, a 60-year-old Los Angeles screenwriter down on his luck and seeking inspiration, journeys to England for what he hopes will be a creative reawakening. Instead, all he finds is an endless supply of rain, pubs and bad food. Things get interesting when he stumbles upon Sheepheaven Farm, where Robbie Barlow keeps a bed and breakfast with his wife, Maggie, a tall woman with long auburn hair who moves like the dancer she used to be. Restless and magnetic, Maggie exudes sexually charged charm toward Jack, some 20 years her senior, even as she tends to cranky Robbie and their school-age son. As his stay wears on, Jack grows increasingly fixated and, when authorities threaten to slaughter the Sheepheaven herd in the face of an epidemic, he finds the inspiration not just to begin writing again but to make a move for Maggie. Those seeking a more action-packed Hard Case (such as Max Allan Collins's The Last Quarry
) may be disappointed with Hill's deliberate pace, but he holds his own in the pulp genre, lending graceful writing and three-dimensional characters to some risky dalliances and gratifying last-act plot twists. (Mar.)
