The Luminist

Rocklin’s debut novel, a case of style over content, was inspired by Julia Margaret Cameron’s work in the new field of photography in the 19th century. Catherine Colebrook travels to Ceylon to join her husband, who has a government position there during a period of increasing strife between the British rulers and the local population. Catherine arrives in Ceylon, having buried one of her twin boys in England, and part of her fascination with the burgeoning art of photography is tied to her desire to hold onto him. She is fascinated by the possibilities photography offers: “Aspects that were daily lost to careless memory might still be found...” and begins a correspondence with Sir John Holland, a scientist on the same exploratory journey, which upsets her husband and causes disdain and shunning within the colonial community. When a young local boy, Eligius Shourie, whose father was killed by British soldiers in Catherine’s presence, is taken in as a servant, he soon shares Catherine’s passion for photography. But he is torn between his growing loyalty to Catherine and the demands made on him by the villagers who want him to join them in sabotaging the British. The book is beautifully written, especially the scenes where Eligius works with Catherine in her experiments, while scenes of escalating political unrest and the impossibility of either side finding a reasonable solution to their differences are less effective, even if historically accurate. The supporting characters, in contrast to Catherine and Eligius, lack dimension. . If Rocklin plays to his strengths, he will be a writer to watch. (Oct.)