cover image Writing on Empty: A Guide to Finding Your Voice

Writing on Empty: A Guide to Finding Your Voice

Natalie Goldberg. St. Martin’s, $28 (176p) ISBN 978-1-250-34254-6

Writing teacher Goldberg (Three Simple Lines) recalls how she clawed her way out of writer’s block—a term she’s loath to use because of its “long history connected with fear”—during the first two years of the pandemic. Without a writing project in mind for the first time in as long as she could remember, Goldberg found structure in weekly meetups with a writer friend, and even confessed her struggles at Ernest Hemingway’s grave site (“I dried up after fifteen books.... One came out after the other, crowded to get in line. Then nothing...”). She also wryly contemplated a new passion (“race car driving?”) and indulged in good-natured self-pity. Solace came in the form of reading and spending time in nature, though the cure turned out to be more mysterious. After two years with little creative drive, and apropos of nothing in particular—leading workshops energized her, but didn’t provide a creative spark—Goldberg felt “a shift inside me... of inspiration actually breath[ing] in me again.” The book concludes with a writing “roadmap” that contains prompts based on each chapter, but much of the author’s wisdom is indirectly conveyed through her anxious musings on the writing process. Though these can slide into self-indulgence (“Shouldn’t I shut up and make way for writing by people of color? What use do I have?”), they often provide a refreshingly honest look at the struggles of the creative mind. Writers waiting for the muse to strike will find comfort and plenty of useful tips. (July)