cover image The Girl with the Gallery: Edith Gregor Halpert and the Making of the Modern Art Market

The Girl with the Gallery: Edith Gregor Halpert and the Making of the Modern Art Market

Lindsay Pollock, . . Public Affairs, $30 (483pp) ISBN 978-1-58648-302-9

Pollock, who reports on the art market for Bloomberg News, retrieves a uniquely American story: a plucky heroine escapes Russia with her parents, grows up in New York poverty and ends up owning one of the most influential and successful art galleries of the 20th century, one that virtually created the market for American art. Startlingly young when she embarked on her career in 1926, Edith Gregor Halpert (1900–1970) was one of the few gallery owners with an eye for the American avant-garde of the '20s, '30s and '40s. She recognized genius in Stuart Davis, made folk art trendy during the Depression and rescued from obscurity such classic artworks as Raphaelle Peale's After the Bath . She was prickly and often defensive, assertive and opinionated. These qualities brought her independence and financial security; they also led to loneliness and an ungraceful decline. Most interesting in Pollock's account are Halpert's difficult interactions with others in the business and with her artists, particularly Alfred Stieglitz and Georgia O'Keeffe. It's surprising that Halpert, who paved the way for women in a male-dominated field, is so little known today; this book is long overdue. 8 pages of color photos, 28 b&w photos. (Nov. 6)