cover image DARK CITY DAMES: The Wicked Women of Film Noir

DARK CITY DAMES: The Wicked Women of Film Noir

Eddie Muller, . . HarperCollins/ReganBooks, $29.95 (304pp) ISBN 978-0-06-039369-4

Shot in stark black and white, dressed in negligees and toting pistols, the dangerous dames of film noir boldly linger in our minds. In this entertaining and often insightful look at noir stars—Marie Windsor, Audrey Totter, Jane Greer, Ann Savage, Evelyn Keyes and Coleen Gray—Muller recreates 1950s Hollywood, the heyday of film noir and B thrillers, and reports on these actors today. Combining interviews with his subjects, a comprehensive knowledge of Hollywood and an astute analysis of the social, political and economic pressures of the industry, Muller (Dark City: The Lost World of Film Noir) shrewdly documents the role of women (as characters and performers) in the genre and the industry. Muller delivers numerous impressive insider tidbits—Greer's secret pregnancy while filming The Big Steal; Totter's close friendship with bad girl Gloria Graham; Beatrice Pearson's on-set problems with her controlling lesbian lover while filming Force of Evil; and Keyes's struggles with husband John Huston's marijuana habit. The book's strength lies in Muller's portraits of these women today; all lead contented and productive lives and, aided by Muller's fluid narrative style, tell tales shimmering with mystique, absurdity, scandal or poignancy. While covering a specific slice of Hollywood and film history—primarily the 1940s and '50s—Muller's look at these noted female performers is an important addition to popular feminist and film literature. (May)