The Scatter Here is Too Great

The edgy account of Karachi life given in Tanweer’s stylish but flawed debut resembles a Pakistani La Ronde, so gracefully does the narrative waltz from one character’s life to another. The difference here is that most of the people we meet are connected not by love, but by a bomb blast. In one of the best sections of the novel, an unnamed boy and his sister, Aapa, are sent to live with their grandmother. When Aapa’s romance with a local boy is discovered, shame and calamity befalls the family. The narrative then jumps into the life of Sadeq, who is involved in the dangerous world of auto repossession and gradually revealed as Aapa’s lover—except the encounter that so disrupted her life is just a blip in his. Later, Tanweer follows Akbar, a young paramedic undergoing a spiritual crisis after witnessing the bombing. Although all the pieces fit, and many are beautifully written (the opening sequence, about a bus ride the boy and his father take to the seashore, is masterful), the overall thrust of the narrative is unclear. Nonetheless, this poetic novel-in-stories is an invaluable portrait of modern-day Karachi. (Aug.)