cover image Rubens and England

Rubens and England

Fiona Donovan. Paul Mellon Centre for Studies in British Art, $65 (196pp) ISBN 978-0-300-09506-7

Rare is the academic work that appeals to the general reader even while it seems to seek favor with some tenure-granting committee, but this feat is just what art historian Donovan has pulled off. This study of the relationship of the British court and the 17th-century Flemish artist Peter Paul Rubens, which developed out of the author's Columbia University doctoral dissertation, is mercifully jargon-free and accessible. Those for whom the period is a confusing thicket of warring aristocratic lines will appreciate Donovan's deft, quick-moving account of the role Rubens played as a diplomatic representative of Spain, and the opening up, under Charles I, of English court culture to sophisticated continental influences. In fact, the purely expository chapters that lay out the basic facts of Rubens's life and times are more successful than the analytical heart of the book, which presents Donovan's interpretation of the ceiling panels Rubens painted for King Charles's house at Whitehall. As if burdened by the need to contribute something original to Rubens scholarship, Donovan suddenly becomes a lot more guarded when discussing these panels, some of whose meanings are highly elusive. Rather than add to the list of possible interpretations, Donovan embraces the ambiguity. ""To explore the referential range elicited by each figure is to better comprehend Rubens's imagery,"" she writes, and claims that ""Rubens encouraged the viewer to seek a more flexible way of reading pictures,"" though this seems at odds with the panels' allegorical nature and overtly political purpose (i.e., the glorification of James I). As the author herself admits, ""the challenges of interpretation ... do not necessarily indicate that it was Rubens's aim for his paintings to have several legitimate meanings."" No matter what any tenure committee might make of all this fence sitting, however, there is still plenty in this beautifully illustrated study for readers to enjoy.