The Lady in Gold: The Extraordinary Tale of Gustav Klimt’s Masterpiece, Portrait of Adele Bloch-Bauer

Anne-Marie O’Connor. Knopf, $32.50 (400p) ISBN 978-0-307-26564-7
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One of Gustav Klimt’s most celebrated paintings (sold to Ronald Lauder for a record $135 million in 2006 and now in the Neue Galerie in New York City, encapsulates a fascinating, complicated cultural history of fin-de-siècle Vienna, its Jewish intelligentsia, and their near complete destruction by the Nazis. Washington Post journalist O’Connor traces the multifaceted history of Portrait of Adele Bloch-Bauer (1907) in this intriguing, energetically composed, but overly episodic study of Klimt, Adele Bloch-Bauer, and her niece, Maria Bloch-Bauer who reclaimed five Klimt paintings stolen by the Nazis and was extensively interviewed by O’Connor. According to Maria, Adele was “a modern woman, living in the world of yesterday.” The book’s first and strongest section vividly evokes the intellectually precocious and ambitious Adele’s rich cultural and social milieu in Vienna, and how she became entwined with the charismatic, sexually charged, and irreverent Klimt, who may have been Adele’s lover before and also during her marriage. During WWII, Adele’s portrait was renamed by the Nazis as the Dame in Gold to erase her Jewish identity. O’Connor’s final arguments about the tragic yet redemptive symbolism of Adele’s portrait are poignant and convincing: while it represents the failure of the dream of Jews like Adele to assimilate, through the painting she achieves “her dream of immortality.” 54 photos. Agent: Steve Wasserman, Kneerim and Williams. (Feb.)
Reviewed on: 12/19/2011
Release date: 02/07/2012
Genre: Nonfiction
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