This rich, sweeping panorama of heroism and folly celebrates the 25th anniversary of the Culture, Banks’s far-future semi-utopian society. The Gzilt, a civilization affiliated with the Culture, is only days away from leaving this reality for the Sublime, a condition of intense, hyper-real wonderfulness, when some of the Culture’s self-aware spaceships catch hints that the Gzilt’s decision to enter the Sublime may be based on a hoax. Vyr Cossont, a young, four-armed Gzilt musician, falls into the conflict as ships and their avatars try to figure out what’s going on and then decide what to do about it, while powerful opponents attempt to stall the inquiry until time runs out. The action tumbles along at a dizzying pace, bouncing among a fascinating array of characters and locales. It’s easy to see why Banks’s fertile, cheerfully nihilistic imagination and vivid prose have made the Culture space operas bestsellers and award favorites. (Oct.)
The Hydrogen Sonata
