The Last Summer of the World

First-time novelist Mitchell pulls off the dazzling trick of allowing readers to see through the eyes of art-photography pioneer Edward Steichen in her excellent reconsideration of his life and art. This would be merely impressive if the book confined itself to the stormy end of Steichen’s first marriage, a subtheme that gets its due and packs a psychological punch. Instead, Mitchell follows Steichen through his airborne reconnaissance work during WWI, providing a devastating portrait of the insanity of war in general and the Great War in particular. Throughout, individual photographs are described in detail, along with surprisingly rich narratives—some reconstructed, some imagined—filling in the stories behind the pictures. Most powerful are the descriptions of what Steichen saw from the air, such as his view of Americans chasing a group of Germans and killing them all, including one who tried to escape. The book offers up glimpses of Paris and the French countryside, including memorable scenes of Steichen’s visit to his good friend and mentor, sculptor August Rodin, but in the end, this commanding novel is about the images one can never quite burn from memory. (June)