The final book in Hoyt's magical fantasy trilogy about William Shakespeare and the land of Faerie (after Ill Met By Moonlight
and All Night Awake
) brings the series to a theatrically satisfying close. Will knows in his heart that he could never have become the most successful playwright of his time without the influence of his dealings with the Elven King Quicksilver and his unwilling involvement in Fairyland intrigue. Haunted by his friend Kit Marlowe's premature death, Will is also (literally) haunted by Marlowe's ghost—who urges him to return to Fairy to aid Quicksilver, who has dispatched the usurper Vargmar, only to rouse the enmity of Vargmar's son, Proteus. With the unwitting aid of his innocent lover, Miranda (served by the brutish but faithful troll Caliban, of course), Proteus kidnaps Will's young son Hamnet, and Will has no choice but to return to Fairyland, to the very heart of its magic, to set things right. With its tangled plot loosely based on The Tempest
, Hoyt masterfully builds a dramatic story of misplaced loyalties, dark ambition and human desperation and love. Readers new to the series will have no trouble getting swept up in the story. Written with a sharp ear for the rich lyricism and mood of Shakespeare, Hoyt's novel is a literate, entertaining fantasy in which all's well that ends well. (Nov. 4)
Forecast:
Newcomers, especially male readers, may be put off by the jacket art, of a female figure in the foreground, a male figure behind and a castle on a hilltop, which signals gothic romance, not Shakespearean fantasy. Fans of the first two books in the series
will know better.
