THE SWAN HOUSE

This beautiful story of a young girl coming of age in the midst of racial turmoil and personal tragedy in 1960s Atlanta convincingly describes how religious faith satisfies the girl's deepest longings. Sixteen-year-old Mary Swan Middleton is white, wealthy and privileged—"We are, of course, another fine Atlanta family," she says sarcastically. As the novel opens, her artistic and depressed mother has just been killed in an air crash in Paris, leaving a slew of secrets behind. As Mary Swan unlocks the past, she wrestles with her grief over her mother's death and the direction of her own life. But "the Lawd don't neva' waste our pain," says her wise African-American maid, Ella Mae. When Mary Swan begins volunteering with the poor, she falls in love with a handsome black teen, Carl. As she works through her confusion about her feelings for him and her despair over her mother, she finds her true calling as a painter and reformulates her preconceived ideas about race and faith. This creative novel is highly descriptive but not overdone, brimming with touches of humor, factual Atlanta settings, historical incidents and well-developed characters. Some tightening of overlong passages would have accelerated the pace, and the novel would stand on its own more effectively without the introduction and the epilogue, which mostly function as advertisements for a sequel. But these are minor glitches in a book that stands out in recent Christian fiction for its excellent writing and overall quality. (July)