In a steady stream of movies (Friends and Neighbors
, etc.) and plays (The Mercy Seat
, etc.), LaBute has honed his singular ability to depict self-interested, acid-tongued and deeply flawed characters. In this debut collection, he applies his fierce, disturbing energy to 20 short stories. Not surprisingly, echoes of his screen and stage characters populate these pages—men and women engaging in adulterous affairs, voyeuristic fantasies, doomed interactions. The playwright's rapid-fire dialogue vividly captures provocative moments of conflict in some stories; others employ first-person, free-associative monologues ("She's been going at it, this talking stuff, I mean, for around three hours straight, seriously, without a pause, and it's really getting me down. I almost feel sad inside, or lonely...."). LaBute is a master at crafting shocking situations and nasty characters, but this ungenerous view of the human heart can make for a dark and brutal read. In "Ravishing," the narrator describes an encounter with a prostitute that ends with the making of a snuff film. In "Maraschino," a woman knowingly—but incomprehensibly—seduces her drunk ex-stepfather. Sharp dialogue and grim imagination aside, LaBute's microfictions rarely delve below the surface to offer insight into the nature of the human condition; the collection as a whole feels a little sadistic, the act of reading it a kind of complicated masochism. Agent, Suzanne Gluck. (Oct.)
