cover image GOODNIGHT, NOBODY

GOODNIGHT, NOBODY

Michael Knight, . . Atlantic Monthly, $23 (192pp) ISBN 978-0-87113-867-5

A nostalgic ex-football star "weeps quietly" after being shown footage of his shining moment; a snowstorm creates a scene that "sparkled like the world was made of broken glass." Delicately wrought characters and quiet, satisfying observations mark Knight's impressive second collection of short fiction (after Dogfight and Other Stories), populated by hard-luck guys trying to stay afloat in an unkind but often very funny world. A normally level-headed Alabama driftwood artist in "Birdland" finds himself helplessly smitten with "the Blond," a pretty ornithologist from New Hampshire who's in town tracking the migration habits of African parrots. She's fiercely independent and resists his marriage proposals, but can't bring herself to walk away from his passionate, over-the-top displays of devotion. In "Ellen's Book," Keith's wife deserts their marriage after a still-born pregnancy. He stalks her at her parents' house, unexpectedly developing an intense—if ambivalent—relationship with Ellen's father, who "understands the simple Algebra of manliness." In "The Mesmerist," a hypnotist on his way to a performance in New Orleans turns a bitter, lonely fellow passenger into a grateful wife. "Blackout" is a hilarious comedy of errors involving two couples, a downed power line, a dead neighbor and a pair of night vision goggles. Just when Knight's characters stray too close to well-trod Raymond Carver territory, an unanticipated turn of events—or turn of phrase—makes them fresh. Knight demonstrates a distinct talent for creating literary mountains from life's molehills. (Feb.)