The New Testament

Confident and sensitive, Brown's follow-up to his American Book Award-winning debut, PLEASE, signals his growing stature in the poetry world. He forms this collection around Biblical language and motifs, reworking them through the materiality and culture of modern America with particular sensitivity to gender, sexuality, and race. It's an audacious move in all its entanglements, but as brothers and lovers and gods resonate through one another, lines such as "I found myself bound to Him and bound to His/ Bidding" become full-bodied and evocative. While decidedly and beautifully political at times (in reverence and irreverence alike) Brown's grounding in biographical details and his hard-won investigation of love's powers emerge as powerfully as the surface themes. As the poem "Nativity" declares, "Lord, let even me/ And what the saints say is sin within/ My blood, which certainly shall see/ Death%E2%80%94see to it I mean%E2%80%94/ Let that sting/ Last and be transfigured." Brown is a poet of sure technique, even as an occasional line, such as the declaration "To believe in God is to love/ What none can see," falls flat in comparison to the collection's tender music. Lyric and sturdy, however, these poems earn consistent attention as they redefine survival in a wounded world. (Sept.)