cover image Clifford's Blues

Clifford's Blues

John A. Williams. Coffee House Press, $14.95 (304pp) ISBN 978-1-56689-080-9

Inspired by a little known fact about WWII, Williams (Captain Blackman) creates a chillingly lifelike account of the treatment of black people by the Nazis. In the parlance of the time, Williams's protagonist refers to himself as a gay Negro; he's a jazz pianist in 1930s Berlin who runs afoul of the ascendant Nazis and is imprisoned for 12 years in Dachau. ""My name's Clifford Pepperidge and I am in trouble,"" the narrator announces on May 28, 1933, in the first page of his diary, which ends inconclusively on April 28, 1945, as the Americans liberate Dachau. Clifford's journal is framed by letters dated 1986 that trace how the diary was passed along and eventually published. Embroiled in a sexual scandal with a wealthy American embassy attache, the New Orleans-born Clifford is effectively stripped of his identity and accused of ""immorality to the state."" At Dachau, he encounters SS officer Dieter Lange, who once haunted the same jazz and gay clubs as Clifford, and now becomes his protector and lover, using him as a ""calfactor"" or houseboy, and gaining prominence among the other SS for throwing parties at which Clifford plays the piano. The diary is filled with harrowingly authentic details about the workings of the camp: the ranking among the prisoners by colored triangles, the bargaining for food and sex, the brutality of the guards and increasingly horrific conditions. While Clifford's own situation is relatively privileged , he often compares the treatment of the other prisoners he observes to slavery in America. Williams's ear for black dialect--especially musical references--is superb and his knowledge of jazz impressive. Where the early entries lag with the long overture toward war, the later ones increase in tension as Hitler's aggression unravels. Clifford emerges as a naif, often willfully ignorant but never cruel; his diary, though fictional, is an eloquent testimony to the largely unknown sufferings of blacks--not only African-Americans but ""colored men"" from all countries--who were incarcerated in WWII concentration camps. (Mar.)