The Full Ridiculous

Screen writer Lamprell debuts with a first-rate novel told almost exclusively in the second person. It begins with Michael O'Dell being hit by a car, an accident that sets off a yearlong descent into an "Alice-less Wonderland" of personal and familial trouble. Michael is a sardonic film critic who gave up his reviewing gig to work a book about the decline of Australian cinema, a fitting subject given his growing conviction that "the good part of your life is over; the bad part has begun." To wit: his daughter picks a fight with a girl from a particularly vengeful family; his son may be using, or worse, dealing drugs; and then there is Constable Lance Johnstone, the off-kilter policeman whose buffoonery makes his obsessive hounding of the O'Dells no less sinister. As Michael and his family work to resolve their crises, Lamprell manages to temper sentimentalism with a tonic wryness. Despite the relatively uncommon second-person narration, the dysfunctional family plot feels familiar. However, in Lamprell's hands, the reader won't necessarily mind. Agent: Margaret Connolly, Margaret Connolly & Associates (Australia). (May)