cover image When Women Were Birds: 
Fifty-four Variations on Voice

When Women Were Birds: Fifty-four Variations on Voice

Terry Tempest Williams. Farrar, Straus and Giroux, $24 (208p) ISBN 978-0-3742-8897-6

Williams, the sensitive author of Refuge, is shocked to discover her deceased mother’s unwritten memoirs—shelves worth of blank pages. Under such unpromising circumstances commences a kaleidoscopic celebration and palimpsest—all metaphorical clichés but apt—on finding a voice and woman’s identity beyond the silenced, selfless existence informed by children and a husband—even a family brimming with love. The empty pages of a journal manifest a hermeneutics of suspicion: the white upon which to project a lifelong journey of self-discovery. In 54 meditations (one for each year of her mother’s life, and of Williams’s life to date), we learn about an unusual (patriarchal) Mormon background and an upbringing that included a season of homeschooling in Hawaii, encounters with a husband-and-wife team of John Birchers while teaching high school biology , a job at the Museum of Natural History in New York City, and the meeting of her future mate over a discussion of books and birds. Among deep influences are Nobel Peace Prize–winner and environmentalist Wangari Maathai; Hélène Cixous; Clarice Lispector; the secret-women’s language of China, Nüshu; and the soaring operas of Richard Strauss. “If a man knew what a woman never forgets, he would love her differently,” Williams declares in her bighearted, deliberative hymn: old themes newly warbled. Agent: Carl Brandt, Brandt & Hochman Literary Agents. (Apr.)