cover image The Bee Sting

The Bee Sting

Paul Murray. Farrar, Straus and Giroux, $30 (656p) ISBN 978-0-374-60030-3

Secret pasts, forbidden desires, and shattered illusions figure into this ambitious family drama from Murray (Skippy Dies). Dickie Barnes, once a successful car salesman outside Dublin, forsakes the world to build an apocalyptic bunker in the woods. Still, he remains overshadowed by his late charismatic brother, Frank. Meanwhile, Dickie’s wife, Imelda, who can’t shake the feeling she should have married Frank, succumbs to the advances of Big Mike, a bewitching cattle farmer. Mike’s daughter is best friends with Dickie and Imelda’s eldest, the college-bound Cass, who derails her future by yielding to several kinds of temptation. And then there’s Cass’s young brother, PJ, who makes plans to run away from home with a mysterious online friend named Ethan. The prose is lovely, as Murray flits from teen shorthand to lyrical interiority (“Lying in bed that night he gets that running-out-onto-thin-air feeling. Tomorrow yawns beneath him like a chasm”). The third act veers into a baroque tragedy, as Dickie continues work on the bunker and the reader tries to understand how the Barneses got to this point. Is it the financial crash? The bee that stung Imelda on her wedding day? Or adult life “in all its theatre and cruelty”? The questions aren’t always enough to sustain the story, but their open-ended nature provokes readers to hang on to the end. (Aug.)