Transported: The Everyday Magic of Musical Daydreams

Music casts listeners into reveries that can bring people together, according to this tepid treatise. Margulis (On Repeat), director of Princeton University’s Music Cognition Lab, argues that music reliably provokes daydreams about memories or imagined scenarios with astonishingly specific themes that are commonly shared among listeners. For example, when she asked students who had never heard Richard Wagner’s prelude to his opera Die Walküre to document their thoughts while listening to it, many of them wrote about pirates on stormy seas, as befits Wagner’s menacing, minor-key string passages. These collective daydreams, she writes, depend on context—humans attach deep emotional significance to music heard in high school and as infants—and on culture. (While American undergrads associate atonal classical music with horror movies, Dong tribesmen in China tend to call to mind happy outdoor excursions.) The communal nature of musical daydreams makes music a social glue, Margulis contends: national anthems unite countries, and talking about shared musical memories can help build a close-knit office culture. Margulis explores many curious examples—the musicality of baby talk, the impact of music on LSD trips—but offers few truly novel conclusions. The result is a mostly unsurprising take on what it means to be immersed in music. Photos. (May)