The bestselling author of How to Make an American Quilt
experiments again with a patchwork narrative, building an elaborate, piquant story of the loves and lives of a group of young 1980s San Franciscans around a series of 18th-century woodblock prints that depict the women of Edo, Japan. Each of the 12 chapters begins with the reproduction and explication of a print; all the prints date from a long period of peace in Japan, stretching roughly from 1615 to 1868. Out of this peace came a flowering of the arts of pleasure, and it is the pursuit of pleasure that Otto documents in 20th-century San Francisco as well. Against the backdrop of a North Beach fringe bar, the Youki Singe Tea Room, dozens of Otto's expertly tailored characters drink, adjust and readjust their senses of loneliness, acceptance and desire in a series of short vignettes. Among them are Roy, "a purveyor of 'artificial paradises,' who is neither sinister nor extraordinary in any way"; Jelly, who travels with a coterie of beautiful women and adoring men; Pirouz, Iranian born and raised in France, who falls in love with San Francisco and marries Jelly to secure a green card; and Raphaella, singer with a golden voice, who usurps Pirouz's attentions. Many more characters come and go in Otto's merry-go-round of parties, connections, break-ups, art and glittering San Francisco skyscapes. Stylish almost to a fault, the novel makes a fetish of beauty and unusual art objects, but it is the intricate web of human connections that gives it deeper appeal. 10-city author tour.(Mar. 12)
Forecast:The eclectic format of Otto's latest will be familiar to fans of
How to Make an American Quilt, though the young, hip, multicultural protagonists will appeal more to those who enjoyed
The Passion Dream Book, her most recent novel.