Toronto Conference Studies Ways to Cultivate Environmental Imaginations
By Leigh Anne Williams
Mar 11, 2010

Can children's literature increase people's
sense of connection and accountability to the natural world? And if so, how? In
these days of anxiety about environmental degradation and climate change, these
are timely questions, which were considered at length at the Children's
Literature and the Environmental Imagination symposium held earlier this month
at the University of Toronto's Trinity
College.
Speakers included renowned Harvard professor
Lawrence Buell, who literally wrote the book on the matter of how literature
represents the natural environment in his 1996 work
The Environmental Imagination: Thoreau, Nature Writing and the
Formation of American Culture, but this was the first time he had focused
on children's literature specifically, he said. He and the other panelists—authors M.T. Anderson, David Almond, Susan Cooper, Sarah Ellis, Tim
Wynne-Jones, and environmental journalist Marguerite Holloway—seemed to
generally agree that while no one book is likely to change the world,
children's literature can have a significant impact.

Looking at children's early connections to the
natural world, British author David Almond pointed to the fact that some of the
first words almost all parents teach their children are animal sounds. " 'What
does a dog say?'.... We all do it, don't we?
The world is full of kids running around pretending to be animals, encouraged
by their parents." He suggested that while we are teaching children to use
speech and language and be part of society, "We're also training them and
encouraging them to celebrate and express the communion with the world of
beasts."
M.T. Anderson's view of the impact of animals in
board books was more darkly comic. "It's somewhat peculiar that we choose
livestock as a good first image of man's relationship to the natural world," he
said. He recounted the way his younger sister, when she was about five years
old, made a joke about chicken at the dinner table one night, never imagining
that the chicken served for dinner could be the same as the chickens she read
about in her story books. "She became a vegetarian by age six," he said. Anderson wittily
wove such personal stories about growing up in Stow, Mass., with a look at the way children's
books from the past, such as Robert McCloskey's
Homer Price and
Centerburg
Tales, helped define readers' ideas about nature, small-town America,
industrialization, and urbanization. To witness the current potency of nostalgic images of rural America,
"this brass-band Brigadoon, which may never have existed, this Norman Rockwell
village," Anderson
pointed to former vice-presidential candidate Sarah Palin's wielding of those
images as a weapon "to attack anything she disagrees with."

Science journalist and Columbia
University
professor Marguerite Holloway focused on the ways literature can help children
gain an imaginative grasp of scale, as well as connect to nature and humans'
place in it. Reading aloud a passage from Mary Norton's
The Borrowers, in which a tiny character named Arrietty first
ventures outside into the garden, Holloway said that children's imaginative
ability to project themselves into the miniature world could build both a sense
of connectedness and empathy. "If you can imagine Arrietty patting the beetle
that is knee-high or you yourself as Arrietty, you can likely also imagine
being the beetle," she said. "Our world, our scale, our lives are no longer
privileged. Insects and small animals inhabit terrain that is just as real and
just as engaging as the world up here.... Imagining an insect's
eye-view might mean that you think about insects and creatures down low, that
you value them." A better grasp of scale, Holloway said, has helped conservation
policies move from "save the seals" to "save this ecosystem."

While most of the authors spoke of the
importance of the natural world in their lives and their work, Almond offered a
particularly vivid view of the bit of "wasteland" in the heather hills at the
top of the town where he and his friends used to play until nightfall. It was,
he said, "the place where we dug our dens and lit our fires, and we re-fought
ancient wars, and we ran and screamed and howled and laughed and whispered and
generally had a great time under the massive sky and the reddening dusk." This
kind of wilderness away from the eyes of adults is vital for children and their
imaginative lives, he said. But much of the discussion afterward among
teachers, librarians, and parents attending the conference revolved around
fears for the safety of children who are out of sight. One mother commented
that she would like her kids to have that kind of freedom in the outdoors, but
"it's terrifying," she said.
Buell said these kinds of concerns and an
increasingly urban society have led to a condition that environmental
journalist Richard Louv termed "nature deficit disorder: malformation of adult
identity arising from curtailment of kids roaming about in the exploration of wild
spaces." But Buell suggested that literature that includes a crucial bonding
with nature could serve as "a kind of surrogate or prosthetic memory" that
might partly offset the effects of limited outdoor experiences.

Almond didn't speak directly to that suggestion,
but he did make a similar comparison in his presentation. A good book is like a
child that has brought the tingle of the wild into the house with him, he said.
"It sits comfortably on the shelves in our comfortable home, but it is not
tame. As you read it, you realize that it has come back from somewhere wild. There
are echoes of wilderness."
Jan Andrews, a children's author attending the
conference, offered a kind of rallying cry as the conference wound up. Authors
of children's literature have to be very careful not to feed into contemporary
fears. "It's not a culture and climate of actually doing anything, it's just
worrying about it," she said. "And worrying is not empowering. I think it is
our job to create books, not in a simplistic way but in a complex way, where
the heroes and heroines are shown as those people who can go out and fight the
giants and come back home."
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