Toronto Conference Studies Ways to Cultivate Environmental Imaginations

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Mar11Toronto2Can children's literature increase people's sense of connection and accountability to the natural world? And if so, how? In these days of anxiety about environmental degradation and climate change, these are timely questions, which were considered at length at the Children's Literature and the Environmental Imagination symposium held earlier this month at the University of Toronto's Trinity College.

Speakers included renowned Harvard professor Lawrence Buell, who literally wrote the book on the matter of how literature represents the natural environment in his 1996 work The Environmental Imagination: Thoreau, Nature Writing and the Formation of American Culture, but this was the first time he had focused on children's literature specifically, he said. He and the other panelists—authors M.T. Anderson, David Almond, Susan Cooper, Sarah Ellis, Tim Wynne-Jones, and environmental journalist Marguerite Holloway—seemed to generally agree that while no one book is likely to change the world, children's literature can have a significant impact.

Mar11Toronto3Looking at children's early connections to the natural world, British author David Almond pointed to the fact that some of the first words almost all parents teach their children are animal sounds. " 'What does a dog say?'.... We all do it, don't we? The world is full of kids running around pretending to be animals, encouraged by their parents." He suggested that while we are teaching children to use speech and language and be part of society, "We're also training them and encouraging them to celebrate and express the communion with the world of beasts."

M.T. Anderson's view of the impact of animals in board books was more darkly comic. "It's somewhat peculiar that we choose livestock as a good first image of man's relationship to the natural world," he said. He recounted the way his younger sister, when she was about five years old, made a joke about chicken at the dinner table one night, never imagining that the chicken served for dinner could be the same as the chickens she read about in her story books. "She became a vegetarian by age six," he said. Anderson wittily wove such personal stories about growing up in Stow, Mass., with a look at the way children's books from the past, such as Robert McCloskey's Homer Price and Centerburg Tales, helped define readers' ideas about nature, small-town America, industrialization, and urbanization. To witness the current potency of nostalgic images of rural America, "this brass-band Brigadoon, which may never have existed, this Norman Rockwell village," Anderson pointed to former vice-presidential candidate Sarah Palin's wielding of those images as a weapon "to attack anything she disagrees with."

Mar11Toronto4Science journalist and Columbia University professor Marguerite Holloway focused on the ways literature can help children gain an imaginative grasp of scale, as well as connect to nature and humans' place in it. Reading aloud a passage from Mary Norton's The Borrowers, in which a tiny character named Arrietty first ventures outside into the garden, Holloway said that children's imaginative ability to project themselves into the miniature world could build both a sense of connectedness and empathy. "If you can imagine Arrietty patting the beetle that is knee-high or you yourself as Arrietty, you can likely also imagine being the beetle," she said. "Our world, our scale, our lives are no longer privileged. Insects and small animals inhabit terrain that is just as real and just as engaging as the world up here.... Imagining an insect's eye-view might mean that you think about insects and creatures down low, that you value them." A better grasp of scale, Holloway said, has helped conservation policies move from "save the seals" to "save this ecosystem."

Mar11Toronto5While most of the authors spoke of the importance of the natural world in their lives and their work, Almond offered a particularly vivid view of the bit of "wasteland" in the heather hills at the top of the town where he and his friends used to play until nightfall. It was, he said, "the place where we dug our dens and lit our fires, and we re-fought ancient wars, and we ran and screamed and howled and laughed and whispered and generally had a great time under the massive sky and the reddening dusk." This kind of wilderness away from the eyes of adults is vital for children and their imaginative lives, he said. But much of the discussion afterward among teachers, librarians, and parents attending the conference revolved around fears for the safety of children who are out of sight. One mother commented that she would like her kids to have that kind of freedom in the outdoors, but "it's terrifying," she said.

Buell said these kinds of concerns and an increasingly urban society have led to a condition that environmental journalist Richard Louv termed "nature deficit disorder: malformation of adult identity arising from curtailment of kids roaming about in the exploration of wild spaces." But Buell suggested that literature that includes a crucial bonding with nature could serve as "a kind of surrogate or prosthetic memory" that might partly offset the effects of limited outdoor experiences.

Mar11Toronto6Almond didn't speak directly to that suggestion, but he did make a similar comparison in his presentation. A good book is like a child that has brought the tingle of the wild into the house with him, he said. "It sits comfortably on the shelves in our comfortable home, but it is not tame. As you read it, you realize that it has come back from somewhere wild. There are echoes of wilderness."

Jan Andrews, a children's author attending the conference, offered a kind of rallying cry as the conference wound up. Authors of children's literature have to be very careful not to feed into contemporary fears. "It's not a culture and climate of actually doing anything, it's just worrying about it," she said. "And worrying is not empowering. I think it is our job to create books, not in a simplistic way but in a complex way, where the heroes and heroines are shown as those people who can go out and fight the giants and come back home."

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