Guatemalan writer Halfon (Canción) reflects on his time at a nightmarish summer camp in this resonant autofiction. At 13, narrator Eduardo and his younger brother are sent by their parents from Florida to their native Guatemala to attend a remote camp for Jewish students. Expecting to learn a few survival skills and sit around a campfire, Eduardo is shocked and unsettled when they’re subjected to a “military” regimen, complete with hazing, surprise 3 a.m. drills, and Zionist sing-alongs, which he gathers are intended to indoctrinate them into supporting the Israeli state. This disturbing ordeal has stayed with Eduardo, now a writer raising a family in Berlin. He remembers trying to escape, feeling so frightened that “my own shadow was trying to get away, that it no longer wanted to follow me across the mountain.” A chance meeting with a former camper puts him back in touch with their sinister and unapologetic counselor Samuel Blum, who, in Eduardo’s memory, carried a snake in his pocket and a tarantula on his arm. As the dreamlike story shifts back and forth in time, Eduardo confronts a chilling realization about the camp’s abuses and reflects on the effects of inherited trauma and victimhood. It’s a breath of fresh air. (May)

Reviewed on 03/06/2026 | Details & Permalink

A 77-year-old Texan grapples with the astonishing news that she’s pregnant in the amusing latest from Frankel (Family Family). Pepper Mills, a straight-talking Brooklyn native, blames her silly name on her ex-husband, Roger, whose surname she took when they married. After getting into a fender bender, she loses her driver’s license and reluctantly moves into the same continuing care community where Roger lives. She starts up a new relationship with a charming British man named Moth and describes their new home as “like moving back into your college dorm, if your college dorm had been a Hampton Inn.” Feeling queasy and lightheaded, she sees a doctor, wondering if she might have dementia, only to learn that she’s pregnant. After the initial shock, the doctor assures her the pregnancy will probably terminate naturally. While she wonders if her body can handle giving birth or an abortion, which is illegal in Texas, word gets out about a pregnant septuagenarian, stirring the public into a frenzy over what she should do. Frankel blends humor and gravitas in her portrait of an expectant mother who’s also facing her own mortality. Fans of the author’s quirky family stories about hot-button issues will find much to enjoy. (May)

Reviewed on 03/06/2026 | Details & Permalink

In the hypnotic sophomore outing from Williams (The Doloriad), a professor’s personal assistant gets drawn into a strange triangle with her boss and a male student. Four years after graduating from the university where the unnamed professor teaches, Agathe, who studied literature, is disillusioned by academia and holds a low opinion of herself. The professor, who hails from an unnamed foreign country, originally hired Agathe for childcare and then sought her help with English grammar. She now tasks Agathe with befriending troubled new student Adam, a native of the professor’s city whom the professor defends from a colleague’s claim that he’s “disruptive.” Afraid her obsession with Adam will take her on a “path of self-destruction,” the professor tasks Agathe with reporting back to her all the conversations she has with Adam, an arrangement that has profound effects on all three. Though the plot takes a backseat to the prose, Williams is an accomplished stylist, and her writing accrues a magnetic rhythm, calling to mind Clarice Lispector or Marie Redonnet. “Everything I saw was wooden and ugly,” Agathe narrates. “I was speaking automatically too. At this point I had accepted my failure. I no longer believed in my capacity to learn anything from Adam.” It’s a singular and arresting work. Agent: John Ash, CAA. (May)

Reviewed on 03/06/2026 | Details & Permalink

A middle-aged widow’s life is upturned when intimate details of her marriage become fodder for a TV show in the well-plotted latest from Lanchaster (The Wall). After Kate Hittlestone’s husband, Jack, suddenly dies, she’s consumed by grief. Months later, she hears about a hit new series called Cheating, which chronicles an affair between a man Jack’s age and a much younger woman. The dialogue eerily echoes Kate and Jack’s “private language” (“Want your body, disco doll” means “please hurry up, we’re going to be late”), causing Kate to conclude that Jack must have had an affair with the show’s millennial writer, Phoebe Mull. Awash with shame and humiliation, Kate revises all her happy memories with Jack until she realizes there might be another explanation. The true story of the show’s genesis slowly comes out in a parallel narrative following Phoebe’s relationship with her mother. Both plotlines come to a head when Phoebe, worried she won’t be able to repeat her success, becomes convinced someone is targeting her with bad online reviews. Lanchester blends the emotionally layered revenge story with a satirical battle of the generations, summed up in a magazine profile of Phoebe (“She’s so sharp she could cut herself. Except... she’s much more likely to cut you. Especially if you’re a boomer”). This satisfies. (May)

Reviewed on 03/06/2026 | Details & Permalink

A pair of Victorian servants plot to make their employers fall for each other in this witty upstairs-downstairs double romance from Waldman (Love and Treasure). Alice Lockey is the smart, ambitious personal maid of Lady Jemima Alderwick, a spoiled aristocrat eager to marry. When Lord Nigel Wynstowe visits the Alderwick estate in 1879, Alice falls in love with his valet, Charlie Wells. Hoping to find a way to be together and keep their jobs, they sour Lady Jemima on her current suitor by exposing his philandering, and attempt to turn the attention of ancestry-obsessed Lord Wynstowe to romance. Meanwhile, Lady Jemima’s aunt, recognizing Alice’s intelligence and drive, introduces her to the ideas of Mary Wollstonecraft and John Stuart Mill, as well as her friends in the suffrage movement. Much as Alice loves Charlie, she begins to wonder if his desired future—marriage, children, and owning a rural shop—will be enough to fulfill her. Waldman evokes Jane Austen in her clever observations (“It was impossible to be frivolous while scrubbing stains out of another’s dirty underclothes”), and adds a fresh and modern edge to the story’s familiar material via Alice’s involvement with the period’s “radical” ideas. There’s much to enjoy in this tale of balancing love and ambition. Agent: Mary Evans, Mary Evans, Inc. (May)

Reviewed on 03/06/2026 | Details & Permalink

Ditlevsen (The Copenhagen Trilogy) published this aching and accomplished work of autofiction about love and punishment in 1975, one year before her death by suicide. Lise, a successful middle-aged writer, has recently been left by her cheating husband, Vilhelm, and now tries to move on from their life together. Shortly before her release from a psychiatric hospital, Lise publishes a desperate and deadpan personal ad: “Recently escaped a long, unhappy marriage—aged 51, but youthful in spirit—wonderful son, aged 15—household literary name—summerhouse—large flat in the city centre—temporarily incapacitated by a nervous breakdown—prefers a motorist.” The ad is answered by Kurt, a man “who did not really live.” He moves in with Lise, who begins writing a series of tell-all articles about her relationship with Vilhelm, just as his latest lover starts to consider leaving him. Ditlevsen’s descriptions often paint her protagonist in the most unflattering light (“She had the habit of admitting herself to hospital, because the role of patient satisfied so many of her infantile needs”). It’s a haunting and deeply felt portrayal of intimate catastrophe. (May)

Correction: An earlier version of this review misdescribed the subject of protagonist Lise’s series of tell-all articles.

Reviewed on 03/06/2026 | Details & Permalink

“Life itself has very little plot,” says one of the narrators of these magnificent short stories by Lavin (Tales of Bective Bridge), who died in 1996. Rather than run a conventional course toward epiphany or redemption, each entry ends abruptly or ambiguously. In “A Cup of Tea,” a stubborn college student and her equally stubborn mother clash during a visit home. The story culminates in an all-too-realistic moment of folly as the daughter comes close to understanding her mother but instead lurches into an over-intellectualization of the issue at hand. In “A Memory,” a retired professor collapses in a fit of delirium after refusing to commit romantically to a former colleague he has been stringing along. A young man and an aging widow begin to fall in love in “The Cuckoo Spit” but go their separate ways after only a few days of courtship, unable to surmount their own ageism and anxieties about propriety. Many of the well-crafted tales feel ahead of their time. This acute and uncompromising collection is a gift. Agent: Grainne Fox, UTA. (Mar.)

Reviewed on 02/27/2026 | Details & Permalink

In this towering absurdist work that is perhaps easier to admire than enjoy, Moresco (Clandestinity) chronicles a young man’s successive affirmations of his religious, political, and artistic lives. Divided into three sections covering each phase, the novel opens as the unnamed narrator, a seminary student waking up in a dark dormitory, painstakingly and slowly polishes his shoes. He calls this exercise one of his “games of eternity.” At the seminary, he meets a roguish older prefect named The Cat, who reappears in the third section as a Godot-like book publisher who endlessly defers meeting with the narrator to discuss his manuscript (presumably a novelization of his days as a seminarian and political operative). In the second section, the narrator joins a shadowy left-wing organization and tours Italy in a “plastic car” with a blind man, delivering political speeches to near-empty or deserted town squares. The narrator withholds emotional, spiritual, romantic, and intellectual reflections, and instead recounts his life like an impersonal and uncanny film reel. Moresco punctuates the narrative with hallucinatory set pieces, most memorably the nighttime incineration of a trash heap on the narrator’s family estate, complete with a raucous crowd and brandy-drunk animals running wild. It’s a bit exhausting, but there are plenty of marvels to be found. (Mar.)

Reviewed on 02/27/2026 | Details & Permalink

Argentine novelist Piñeiro (Elena Knows) explores the effects of Catholic dogma on a family in this explosive story of a murder and its aftermath. Thirty years after the body of Ana Sarda was found dismembered and burnt in an empty lot, her sister Lia is visited by their younger sister Carmen and Carmen’s husband, Julián, whom Lia hasn’t talked to since Ana’s death. Carmen and Julián’s son, Mateo, has gone missing, and the couple learned he visited a bookstore in Santiago de Compostela, where Lia works. The narrative shifts among the characters’ perspectives as they reveal lifelong secrets, piece together clues about what happened to Ana, and reflect on the ways their lives and family relationships have been warped by the church they were raised in. (Mateo, describing his parents’ reaction to his crisis of faith, notes that they “tr[ied] to banish those doubts, sending me to psychologists—Catholic ones, of course—as if my doubts were obscene or signalled a psychotic break”). As the story unfolds, Piñeiro beautifully blends mystery and true crime tropes with incisive insights into the church’s sexual repression and subjugation of women. It’s an illuminating page-turner. (May)

Reviewed on 02/27/2026 | Details & Permalink

Wang debuts with the spectacular and wrenching story of a woman contending with her mother’s plastic surgery addiction. Linli Feng, a nonprofit worker who assists incarcerated women, reluctantly visits her mother, Fanny, in Los Angeles after a three-year estrangement. Fanny’s latest botched procedure, after a lifetime of risky facial alterations, has become infected and she desperately needs help. Though Linli only anticipates a short stay, Fanny’s fanatical surgeries, skin bleaching, and black-market Botox injections place Linli on high alert. Tricked and guilted into putting her own life on hold, she extends her visit to ensure her mother’s well-being. But things soon spiral out of control when federal agents entangle Fanny in an investigation involving illegal cosmetic treatments, and she then becomes a contestant on America’s Beauty Extreme, an outrageous new reality TV series that pits plastic surgery addicts against one another. Wang raises the tension to remarkable heights as Linli is torn between protecting her mother and maintaining the boundaries she needs to keep her sanity intact. Along the way, Wang takes candid stock of Fanny’s plastic surgery disasters (her purple, post-rhinoplasty nose “twisted inward as if it were trying to smell itself”) and the pressures of generational trauma. This bracing tale goes much more than skin deep. Agent: Jim Rutman, Sterling Lord Literistic. (May)

Reviewed on 02/27/2026 | Details & Permalink