and more.
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In Conversation: J.Elle and Denene Millner
J.Elle's debut fantasy novel, 'Wings of Ebony,' is due from Denene Millner Books in February 2021; the book marks the first YA acquisition for editorial director Denene Millner's eponymous imprint at S&S.
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Four Questions for Amanda McCrina
We spoke with YA historical fiction writer Amanda McCrina about her new novel, 'Traitor,' and illuminating a lesser-known facet of World War II.
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Write It Like Disaster: PW Talks with Elisa Gabbert
The author of 'The Unreality of Memory' on writing a book of essays about disasters, what she's learned about pandemics, how poetry leaks into her prose, and more.
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Homeless Is the Hunter: PW Talks with Christopher Chambers
In Chambers’s 'Scavenger' (Three Rooms, Oct.), investigator Dickie Cornish actually lives on the mean Washington, D.C., streets he walks down.
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Shared Work of Resistance: PW Talks with Willie James Jennings
Jennings’s 'After Whiteness' (Eerdmans, Oct.) critiques Western higher education as a system formed to create and sustain white supremacy.
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Q & A with Daniel Nayeri
In his autobiographical middle-grade novel 'Everything Sad Is Untrue,' Daniel Nayeri, who is also publisher of Macmillan's Odd Dot imprint, writes about being a young refugee from Iran.
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Q & A with Kimberly Brubaker Bradley
Best known for her historical fiction, Newbery Honor author Kimberly Brubaker Bradley has written her first contemporary novel in 13 years.
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Seeing Through Bias: PW Talks with Pamela Fuller
In 'The Leader’s Guide to Unconscious Bias' (Simon & Schuster, Oct.), Fuller discusses how business leaders who work past their own biases can foster more diverse company cultures.
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An Imperfect Hero: PW Talks with Ian K. Smith
In Smith’s 'The Unspoken' (Thomas & Mercer, Oct.), society matron Violet Gerrigan hires Chicago PI Ashe Cayne to find her missing daughter.
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Love in Danger: PW Talks with ReShonda Tate Billingsley
Relationship gurus Shanon and Jay Lovejoy’s marriage is already on the rocks when Jay’s mistress turns up dead in their hotel room in Billingsley’s 'A Little Bit of Karma' (Gallery, Sept.).
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