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University of British Columbia researcher and clinical psychologist Brotto’s first book written for a non-academic audience provides a career’s worth of advice on how the “15 to 31 percent of women experiencing lasting and distressing sexual complaints”—including low desire, satisfaction, and genital pain—can “explore [how] to make sex fabulous and fulfilling again.” She begins with a brief history of the diagnosis and treatment of sexual dysfunction in women, including an overview of the different therapies typically used to treat sexual dysfunction (such as cognitive behavioral therapy and medical interventions). Case histories illustrate the mindfulness-based interventions employed by Brotto’s team to help women overcome sexual dysfunction related to factors such as depression, stress, and the negative effects of habitual multitasking. Based on the premise that a satisfying sexual response is not a reflex and that two-way communication between brain and body is essential for sexual response, this guide provides several mindfulness exercises that “have been tested, critiqued, revised, tweaked, and tested again in hundreds of women,” as well as a list of resources. Although the book starts slowly, it is a practical and useful reference for readers interested in testing out Brotto’s approach of cultivating mindfulness as a therapy for sexual dysfunction. (Apr.)

Reviewed on 06/22/2018 | Details & Permalink

In this slender but intellectually dense collection of 12 essays, Franco-Congolese novelist Mabanckou (Black Moses) reveals and reshapes notions of black identity, arguing that in today’s global community, “identity goes far beyond notions of territory or blood.” In “The Identity Card,” which echoes the title of a novel by Ivory Coast poet Jean-Marc Adiaffi, Mabanckou explores the role of place and displacement in the creative process: “Only when the place in which you find yourself is so completely different to your ‘natural milieu’ will childhood memories come surging to the surface,” he observes. In “Bound to Violence,” Mabanckou revisits the controversies spurred by Yambo Ouloguem’s 1968 novel Le devoir de violence, which addressed the enslavement of Africans by Arabs and “African notables” before the arrival of the Europeans. Aspects of memoir figure into the essays here and there, such as in “A Negro in Paris,” which recounts a conversation with a black fitness instructor in Paris about black people in America. Mabanckou’s challenging perspective on African identity today is as enlightening as it is provocative. (Aug.)

Reviewed on 06/22/2018 | Details & Permalink

Mystery writer Collins (The Bloody Spur) and historian Schwartz (Broadcast Hysteria) dutifully trace the lives of Al Capone (1899–1947) and his lawman nemesis, Eliot Ness (1903–1957), in Prohibition-era Chicago. Drawing on a trove of sources, including Ness’s scrapbooks, the authors look at the parallel arcs of these men in the 1920s and 1930s as Capone gained notoriety and status as Chicago’s greatest public enemy while Ness climbed the ranks of law enforcement to head a squad devoted to bringing Capone to justice. The general contours of this real-life drama are familiar, including the irony that Capone was eventually convicted of tax evasion, rather than the hundreds of murders he orchestrated; the authors add depth to their depiction of both men with colorful details such as the fact that, prior to becoming adversaries, Capone and Ness both lived on South Prairie Street for a period in 1923. Collins and Schwartz present a balanced view of the role of Ness in capturing Capone, which accounts such as Jonathan Eig’s Get Capone (2010) and Ken Burns and Lynn Novick’s documentary Prohibition (2011) have largely dismissed. The result is an informed and valuable addition to the numerous books about Capone and Ness. (Aug.)

Reviewed on 06/22/2018 | Details & Permalink

An artful storyteller, Plokhy (Lost Kingdom), director of Harvard’s Ukrainian Research Institute, melds Kremlin politics, nuclear physics, and human frailty into this spellbinding account of the 1986 explosion and fire at Chernobyl Nuclear Power Station in Ukraine, which Soviet officials tried to deny and then attempted to downplay the extent of. Plokhy expertly guides readers through the Soviet military-industrial complex, exposing the rivalries and clashes among Communist Party bosses, government ministries, the KGB, and central planners whose “unrealistic demands” and “impossible deadlines” precipitated the disaster. The meltdown occurred during a holiday connected to Lenin’s birthday; Plokhy, with a Gogolian sense of irony, captures the air of celebration as radiation levels climb to hundreds of times above normal and the threat of a second explosion looms. Officials denied what was happening, the KGB cut telephone lines to keep news of the disaster from spreading, and the deaths of firefighters exposed to lethal doses of radiation in the months following the explosion were kept secret. Plokhy, who shares the opinion of many historians that Chernobyl’s meltdown was the beginning of the end of the Soviet Union, documents the catastrophe and its effects on reemerging Ukrainian and Russian nationalism in this probing and sensitive investigative history. (May)

Reviewed on 06/22/2018 | Details & Permalink

Love, sex, drugs, and artistic impulse are the subjects of this quirky book about “feel-good” dopamine by Lieberman, a professor at George Washington University, and Long, a speechwriter and lecturer at Georgetown University. Analyzing what “revs” desires, “illuminates our imagination,” and controls many neurotransmissions in the brain, the authors attribute many of the more intense human emotions—passion, self-confidence, and creative inspiration—to a cocktail of chemicals, dopamine being the most important; even political conviction gets linked to this molecule. The authors propose that people who are “dopaminergic,” or possess elevated levels of dopamine, in addition to being prone to divorce and mental illness, also tend to be creative and abstract thinkers, risk takers, and liberals. They go as far as to say that dopamine could have been responsible for ancestral migration across the Bering Strait, and caution that modern humans are in dopamine-induced overdrive, and perhaps headed toward destruction, thanks to humans’ vastly increased capacity for “gratifying our dopaminergic desires.” “In our minds, we are dopamine,” Lieberman and Long opine, and though the book does not really prove this, they do make an interesting case for how much of human behavior could be attributed to this one chemical. (Aug.)

Reviewed on 06/22/2018 | Details & Permalink

There’s a lot more to the story of the bank that was “too big to fail” than the 2008 crisis—and it doesn’t look good, insist Freeman, assistant editor of the Wall Street Journal editorial page, and McKinley, an attorney. Citigroup, the beneficiary of a “bailout culture” formed by an unhealthy relationship between Wall Street and Washington, secured aid by portraying itself as a helpless victim. The company’s long history, however, tells a different story: of a giant that has frequently floundered, yet has not just survived but, thanks to government intervention, profited off financial panics. The authors relate the long, fraught history of Citigroup since its early-19th-century origins, describing its incompetent early management, its pre-Depression CEO “Sunshine Charlie” Mitchell (who blithely found “no cause for alarm” regarding the stock market in 1928), and bailout-era CEO Vikram Pandit, who pleaded with federal officials, “Don’t give up on us.” Citi received $45 billion from the U.S. government, the most of any bank, but, Freeman and McKinley assert, its claim of being subject to circumstances beyond its control should have been received far more skeptically. This is the first book to focus on Citigroup’s handling of the 2008 financial crisis, and readers looking for new insight on the Great Recession will find much here. (Aug.)

Reviewed on 06/22/2018 | Details & Permalink

Scheil (She Hath Been Reading), an associate professor of English at the University of Minnesota, has not written a book about Shakespeare’s wife, but about the various myths surrounding Anne Hathaway and her relation to the Bard. Hathaway’s mark on the historical record is small, consisting of little more than her epitaph, her marriage license, a minor bequest in her husband’s last will, and her family cottage, preserved as a Shakespearean pilgrimage site up to the present day. This thin legacy, Scheil observes, has allowed anyone with an interest in Shakespeare’s life to interpret Hathaway according to an agenda, whether that means depicting her as a jealous and scheming shrew, a loyal and beloved partner, or the secret genius behind her husband’s fame. These fantasies are laid out in exacting detail, collected like pinned butterflies for the reader to peruse, with the inescapable conclusion that the only thing that can be said for sure about Hathaway and her relationship to Shakespeare is that their personal history is and will always be unknowable. Those with an academic interest will find this an excellent resource, but casual readers will find the lack of definitive conclusions frustrating. (Aug.)

Reviewed on 06/22/2018 | Details & Permalink

Based on the Cartoon Hangover short “Dead End,” this quirky, heartwarming adventure by Steele (Pantheon) captures the awkwardness of early adulthood and the idiosyncrasies of power-hungry demons. Barney thought working with his friend Norma at a theme park’s haunted house, Dead End, would be fun (or at least provide him with temporary housing), but Norma failed to tell him that it comes with its own portal to hell. Along with Barney’s talking dog, Pugsley, and the other theme park employees, the duo must thwart the demons, angels, and deities emerging through the portal and keep the haunted house running. If Barney can survive long enough, he just may develop the courage to go on a successful date with Logs, the cute coworker who runs the log flume. A Steven Universe–like aesthetic and a full palette of bold, contrasting colors grace a diverse cast of characters (attendant pronouns specified), from trans haunted-house janitor Barney to hijabi carnival-attraction operator Badyah. Episodic first chapters weave together successfully as the story proceeds, creating a cathartic story arc for this series opener. Ages 12–up. (Aug.)

Reviewed on 06/22/2018 | Details & Permalink

“As you know, in all camp stories, there are monsters. In this one, there are two. The sea monster. And me.” Quinn Sawyer, 17, lives at the Hundreds, a summer camp her family owns and operates. The Hundreds has a special sort of magic: blueberries grow even in the bitter winter months, ghosts may well be present, and the family believes an aquatic monster roams the depths of their cove. Quinn had always been skeptical until the tragic night that the monster claimed Dylan, the boy the Sawyer siblings loved best. A year later, the siblings are silos of grief and guilt, each alone with their memories. Quinn, the only witness to Dylan’s death, is determined to face the monster in the cove—and the one within herself. This depiction of first love collective loss, and the complicated nature of sibling relationships by Sorosiak (If Birds Fly Back) surges with emotion, and Quinn’s developing relationship with newcomer Alexander, who is ignorant of the past summer’s details, provides lightness to this story of all-consuming heartache and shame. Sorosiak has created a family whom readers will connect with in all their messy, genuine sincerity. Ages 13–up. (June)

Reviewed on 06/22/2018 | Details & Permalink

Fifteen Asian authors—including Renee Ahdieh, Melissa de la Cruz, Aisha Saeed, and Rahul Kanakia—share genre-spanning short retellings of myths and legends traditional to their own cultures in this outstanding anthology edited by Chapman and We Need Diverse Books president Oh. Roshani Chokshi’s lush, elegant “Forbidden Fruit” sets the tone for the anthology, remixing the Filipino folktale of Maria Makiling, a mountain spirit spurned by her mortal love. In Alyssa Wong’s “Olivia’s Table,” a take on the traditional Chinese Hungry Ghost Festival, the protagonist inherits an important role in helping the dead pass on to the next plane of existence. Preeti Chhibber chooses a contemporary setting to showcase the Hindu festival Navratri in “Girls Who Twirl and Other Dangers,” in which a group of young girls resolves to teach an overconfident boy a much-deserved lesson. Each story is followed by a missive from its author, sharing inspiration and background on creative choices and changes. Thoughtfully compiled and written, this compendium is a must-read. Ages 13–up. (June)

Reviewed on 06/22/2018 | Details & Permalink