Mount Shasta, Calif., high school senior Izumi Tanaka is a normal 18-year-old American girl: she enjoys baking, watching Real Housewives, and dressing like “Lululemon’s sloppy sister.” But Japanese American Izzy, conceived during a one-night stand in her mother Hanako’s final year at Harvard, has never known the identity of her father. So when she and her best friend find a letter in Hanako’s bedroom, the duo jump at the chance to ferret out Izzy’s dad’s true identity—only to find out he’s the Crown Prince of Japan. Desperate to know her father, Izzy agrees to spend the summer in his home country. But press surveillance, pressure to quickly learn the language and etiquette, and an unexpected romance make her time in Tokyo more fraught than she imagined. Add in a medley of cousins and an upcoming wedding, and Izzy is in for an unforgettable summer. Abrupt switches from Izzy’s perspective to lyrical descriptions of Japan may disrupt readers’ enjoyment, but a snarky voice plus interspersed text conversations and tabloid coverage keep the pages turning in Jean’s (Empress of All Seasons) fun, frothy, and often heartfelt duology starter. Ages 12–up. Agent: Erin Harris, Folio Literary Management. (May)

Reviewed on 05/07/2021 | Details & Permalink

Kelkar’s (Bindu’s Bindis) novel features Oceanview Academy middle schooler Sonali, whose stoicism contrasts with her love of Bollywood movies’ melodrama. Stuck in a Los Angeles home with constantly arguing parents and her sensitive nine-year-old brother Ronak, Gujarati American Sonali, 11, tries to make sense of her world through the Hindi movies she’s seen all her life. Ever since an earnest public attempt five years ago to stop her parents’ fighting led to widespread embarrassment in front of family, Sonali has resolved to hide her emotions and do her best to ignore her parents’ arguments. But her efforts prove futile when her parents decide to try the “nesting” method of separation, where they take turns living in the house with Sonali and Ronak. The contemporary narrative takes an entertaining fabulist turn as Sonali’s life begins to transform into a Bollywood movie, with everything she feels and thinks made apparent through her “Bollywooditis.” Sonali’s first-person perspective is sympathetic as she navigates friendship and family drama, and Kelkar successfully infuses a resonant narrative with “filmi magic,” offering a tale with universal appeal through an engaging cultural lens. Ages 8–12. Agent: Kathleen Rushall, Andrea Brown Literary. (May)

Reviewed on 05/07/2021 | Details & Permalink

When she was six, Justice Kasric watched her blue-eyed merchant father play chess with the Faerie King. Now 15, Justice believes the event was merely a dream. She spends her days yearning for adventure, watching from the sidelines while her 16-year-old sister Faith, as slender and golden-haired as Justice but not as curious, becomes the toast of Victorian London society. One night, however, their father shatters their comfortable lifestyles when he forces the family—Justice, Faith, their younger brother Henry, and their constantly medicated, distant mother—into a locked carriage that takes them to a shadowy mansion. Justice’s discovery that the Faerie have invaded the human world and are targeting her family gains further urgency when she learns that her parents are on opposite sides of the conflict. Together, the Kasric siblings—including older brothers Benedict and Joshua—must find a way to save their family. While characters lack depth at times, and insufficient historical details don’t fully evoke the Victorian setting, Klaver’s (the Supernatural Case Files of Sherlock Holmes series) rich, lyrical descriptions augment the fantastical source material in this engaging series starter. Ages 13–up. Agent: Lucienne Diver, the Knight Agency. (May)

Reviewed on 05/07/2021 | Details & Permalink

Nine years before this novel begins, eight-year-old best friends Esme Randal and Kayla Price snuck out of their cabin at Camp Pine Lake in Texas. They swore never to discuss the terrible events that followed, but when the girls, now 17, return to the camp as counselors-in-training from their hometown of Lewisburg, Pa., that proves easier said than done. Someone begins sabotaging camp activities, and ominous—and increasingly public—threats appear, referencing that fateful summer. The only other person who knows Esme and Kayla’s secret is a local girl named Lillian Campbell, whom they left to fend for herself that night in the woods. They’re loath to voice their suspicions of revenge lest they get in trouble or look bad in front of hunky fellow counselors Jake and Olly, but as events escalate, they realize they may not have a choice. Narrating from Esme’s increasingly apprehensive first-person perspective, Preston (The Twin) pays homage to classic summer camp slasher films. The underdeveloped, predominantly white cast relies heavily on stereotype, and the clichéd tormenter’s motive feels unearned, but horror fans will likely appreciate this paranoia-fueled tale’s gruesome, shocking close. Ages 12–up. Agent: Jon Elek, United Agents. (Mar.)

Reviewed on 05/07/2021 | Details & Permalink

Inspired by her own family’s refugee journey from Vietnam to Hong Kong, Văn’s (If You Were Night) spare picture book, powerful in its deliberate simplicity, follows a black-haired, pale-skinned child as they, their guardian, and two younger siblings join other asylum seekers for a perilous maritime voyage. In a third-person voice, Văn anthropomorphizes objects, relaying their wishes: “The dream wished it was longer,” one spread reads, as a balding, mustached guardian holds the protagonist close, and a guardian with a bun rouses the second child to dress them. “The clock wished it was slower,” the subsequent pages read, as the two children tearfully hug their mustached guardian goodbye. The narrative continues as the now family of four make their way onto the boat and beyond. A final-act switch to first-person perspective drives home the journey’s personal nature. Intricate, lissome fine-lined art by Ngai (Dazzle Ships) recalls classical Asian compositions, Japanese woodblock prints, and an evocative sensibility in a gradated, surrealistic color palette. A seamless interweaving of elegant prose and atmospheric art marks this affecting immigrant narrative. Back matter includes heartfelt author’s and illustrator’s notes. Ages 4–8. (May)

Correction: A previous version of this review misquoted the book's text.

Reviewed on 05/07/2021 | Details & Permalink

In a straightforward picture book debut by Meloy (the Apothecary series), a red-orange octopus is “happy in his cave,” until a human, portrayed as a pale hand, tricks the cephalopod into occupying a glove and subsequently takes him to “a glass house that wasn’t a cave.” Though the octopus is offered interactive tests and activities—including building blocks, a jar to unscrew, tight passages to navigate, and a camera to photograph visitors to his aquarium home—his days lack differentiation, and the pining octopus soon devises an intrepid plan to return home. The sympathetic prose is rhythmic, allowing readers to see the octopus’s perspective at every step of the process: of the glass house, “There were no waves. No little shivery ones. No big tumbling ones.” Sala (Green on Green) contributes vibrant art rendered in gouache, watercolor, and pastel on paper; particularly effective are spreads of the sinuous subject’s ocean life, with its richly varied flora and fauna. The Finding Nemo–esque adventure follows a predictable arc, but the tender narrative is gratifying and may serve as an effective jumping-off point for discussions about animal captivity. Ages 3–7. (May)

Reviewed on 05/07/2021 | Details & Permalink

Josie, a light brown–skinned child with a cotton candy–esque cloud of pink hair, has difficulty falling asleep because she sees “monsters in the dark” every night. When her father gives her a Scary Snapper—a flashlight he promises will transform monsters “into something not scary at all”—Josie soon discovers the real objects behind many of her fears. Punctuated with “SNAP!”s throughout, Downing’s narrative about braving the unknown is well-paced as Josie shines her beam on frightening sounds and shadows in turn, revealing them to be household mainstays such as a coat rack and a sleeping cat. But when Josie’s Snapper doesn’t work on one particular monster, she discovers newfound courage in a satisfying speculative twist. Machado’s digital illustrations feature a soft-hued palette; cool tones effectively capture the nighttime mood, while the flashlight’s goldenrod beams of light turn nightmarish silhouettes to warmer-toned reality checks. Ideal for bedtime reads, this picture book debut will resonate with readers who might be afraid of the dark, a salient reminder of the power they hold within themselves. Ages 3–5. (Self-published)

Reviewed on 05/07/2021 | Details & Permalink

Maverick doctors, scientists, and public health officials took charge of the fight against Covid-19 when the CDC and the Trump administration failed to act, according to this illuminating rehash of recent history. Lewis (The Fifth Risk) spotlights a group of doctors who overcame bureaucratic inertia and conventional wisdom to write the U.S.'s pandemic response plan in 2007, after President George W. Bush read a history of the 1918 Spanish flu pandemic and asked what the government would do in such a scenario. Carefully reinterpreting data from 1918, Veterans Affairs official Carter Mecher and other group members developed a "Swiss Cheese strategy" of multiple social interventions (school closures, bans on group gatherings, etc.) layered on top of one another to contain a disease outbreak until a vaccine could be developed. In January 2020, Mecher used sketchy, incomplete data emerging from China to forecast the spread of Covid-19 in the U.S., and shared his findings with California deputy chief health officer Charity Dean, who eventually convinced Gov. Gavin Newsom to issue the country's first statewide stay-at-home order. Though the book's first half is somewhat slow-going, Lewis draws vivid profiles of Mecher and Dean, in particular, and litters the narrative with lucid explanations of epidemiology, disease modeling, and genomic sequencing. Readers will be aghast that these experts weren't leading the battle from the start. (Apr.)

Reviewed on 05/07/2021 | Details & Permalink

Dershowitz (The Dismembered Bible), chair of Hebrew Bible and Its Exegesis at the University of Potsdam, presents an innovative analysis of biblical manuscripts that were discovered then dismissed as forgeries during the late 19th century. In 1878, British antiquities dealer Moses Shapira acquired leather strips found near the Dead Sea that appeared to be an unknown version of Deuteronomy. While the discovery fascinated the English public, the British Museum in 1883 declined to purchase the manuscripts after two experts declared them forgeries. Dershowitz, however, makes a convincing case that the texts are authentic and represent a version of Deuteronomy older than the canonical one, and that “the odd details that made Shapira’s manuscripts seem so dubious in the late 1800s have now transformed into evidence substantiating their antiquity.” For example, vertical creases showing leather had been folded once was considered evidence of forgery, but that same treatment of texts has been found in verified ancient manuscripts, including the Dead Sea Scrolls. He goes on to explore the significant differences between the Valediction of Moses and the traditional Deuteronomic text, notably the Ten Commandments, which here includes the additional prohibition “You shall not hate your brother in your heart.” This is an astounding work of scholarship. (Apr.)

Reviewed on 05/07/2021 | Details & Permalink

Warshaw, founder of the What’s the Difference? newsletter (which explains the difference between things that are “often confused for one another”), debuts with a superbly fun collection of ingenious elucidations on various types of food and drink. She writes that broth and stock, often used interchangeably, are actually different—stock is made primarily from bones, while broth is meat-based. She also demystifies the often-perplexing egg labels that plague supermarket fridges, including cage-free, free-range, hormone-free, and pasture-raised (spoiler: cage-free doesn’t always mean happy chickens). Many will be surprised to discover that green tea and matcha are not the same—though matcha is a type of green tea—and that broccoli rabe isn’t broccoli at all but “is instead more closely related to the turnip.” Lest anyone feel secure in their food knowledge, Warshaw throws in a few curveballs—scallions, for instance, are indistinguishable, taste-wise, from young spring onions. Those interested in learning the differences between coriander and cilantro (which come from the same plant), clementines and tangerines, and prawns and shrimp need not look any further. Concise, informative, and a pleasure to dip into, this is an endlessly entertaining way to brush up on one’s food groups. Agent: Kim Witherspoon, InkWell Management. (June)

Reviewed on 05/07/2021 | Details & Permalink